Not exactly “Kryptonian under a yellow sun…”

May 19, 2017
alex ross superman

…but yeah, kind of like that

As has been much documented ’round these parts, trying to make it as a screenwriter is a long, tedious slog. For anybody. And that includes me.

It is a slog into which I have voluntarily cast myself.

There has been, and probably will continue to be a lot of disappointment and frustration along the way.

It’s the nature of the beast. Nothing I can do about it.

Well, actually there is.

More on that in a minute. But first, an anecdote!

I was digging through my binder of notes and documents, some of which span back a few years.

Among them, the printout of an email from an “industry insider” totally trashing me and my idea after I’d revealed the idea for what would eventually become one of my low-budget comedy specs. There was not one encouraging sentence in this entire communique. “Give up.” “You’re wasting your time.” “You don’t have a chance.”

And that was some of the nicer stuff.

The person who sent it likes to talk the talk, but in my opinion, falls a bit short on walking the walk. I printed out the email as a reminder that if an asshole like this can establish a career (if you can call it that), then there’s no reason I can’t either.

Funny thing about me is that I’m quite the stubborn cuss. I may get annoyed, upset, distraught or even full-blown depressed about how lousy my situation may be at that particular moment, but sometimes you gotta hit bottom before you regroup, reorganize, and resume the climb, more determined than before to get a little higher.

Which sums me up right now.

I’m not there yet, but it feels imminent. While it would be great if something happened in the immediate future, I’ll remain realistic and at least work towards “something soon”.

I’d say I’m in a pretty interesting place right now. I’ve got some quality scripts to show, several in various stages of development (and much further along than expected), and a growing network of connections, many of whom are more than willing to do what they can. When more than one professional says to me “I can’t understand why you don’t have a manager/more interest in this script!”, then I guess I’m doing something right.

Even though there’s been a steady and gradual progress in “making things happen”, this is still all on me. This long, tedious slog will eventually come to a most satisfying conclusion – for the best possible reason.

So until that forthcoming day when fortune finally smiles down on me, I’ve no plans to give up and will continue to push forward. It’s getting close. Mighty close.

Up, up, and away, chums.


The hazardous journey down Contest Road

May 16, 2017
Flat tire in formal attire

A savvy driver is prepared, no matter what they encounter

I’ve lost count of how many screenwriting contests there are. A whole lot, I believe. But out of all of them, only a handful actually mean anything in terms of helping build one’s career.

The Nicholl. Austin. PAGE. There are others of high prominence, but these three are the ones that really matter.

This isn’t to slight the smaller or lesser-known contests, but someone who’s a finalist in the Nicholl probably has a better shot at being able to use that to their advantage than, say, the Greater Cedar Rapids Screenplay Contest (not that such a thing actually exists, but you get the idea).

As evidenced on my My Scripts page, I’ve done moderately well in some of the bigs, but have also totally fizzled out. I’ve also been fortunate to have done well in some of the second-tier competitions. Every year yields different results.

Sometimes the first thoughts that race through your head when you read that email from the contest organizer that includes the word “Regretfully” somewhere near the beginning makes you think “Does this mean my writing is lousy?”

No. It means it didn’t click/connect with the reader or readers from that contest. A lot of the contests give you at least two reads. Sometimes I’ll receive praise from the first reader, only to have the second one not like it, thereby stopping it in its tracks. Or both readers like it, but not enough to advance it to the next round. Nothing I can do about it. C’est la vie, and better luck next year.

And even if you win, or at least place highly, in a high-profile contest, that’s no guarantee to getting work. I know a Nicholl finalist who had zero traction with their script, as opposed to the PAGE winner who is now super-busy with assigments.

I know writers who’ve never won a contest, and they got work. I know writers who’ve never entered a contest at all, and they’ve gotten work. How? Because the writing wasn’t just good; it was really, really good. That’s what it comes down to. That and somebody liked it enough to want to do something with it or with the writer.

A few years ago, I was a lot more likely to enter almost any contest. And there weren’t even as many then as there are now. Time and experience has shown me that, yes, it’s a nice validation to get that certificate from that small contest you’d never heard of before you entered, but how much did it actually do to help you get your career going?

A lot of contests offer “industry exposure” to the winners, and you do get that – to a point, and it’s probably a safe bet not to the extent you imagine. Your script might get checked out by maybe a handful of reps and production companies, and even then there’s still no guarantee anybody will be interested. I’m speaking from experience on this one.

Contests are just one of the ways in. As someone who’s in it for the long haul, I’ll continue to try my luck with the big ones while also exploring other avenues. Whatever it takes.

And no matter what contest you may have entered this year, I wish you the best of luck. Except for the ones I did. Then all bets are off and it’s every person for themselves.


A writer does what again?

March 24, 2017
typewriter

Just another schmuck with an Underwood

In case you haven’t been following me on social media (which is easily rectified), I’ll post semi-daily updates regarding my progress in writing the latest draft of my current spec.

(Incidentally, just passed the page-75 plot point on the pulp spec)

After I post an update, my network of fellow creatives will offer up their very supportive and encouraging comments.

“Great job!”

“Keep going!”

“I don’t know how you do it!”

I do, and it’s actually a pretty simple formula: I try to write every day. Even if it ends up being just a short amount of time, or all it yields is a single page. Sure, sometimes life gets in the way and I’m not able to write, but there are definitely more days of writing than not-writing.

Writing scripts (preferably my own, but I’m not picky) is what I want to do. More than anything. So I continuously work at it, trying to improve my skills and produce quality material. It’s the only way I know how to get there.

Some might say I currently have the luxury of just writing specs. No pressure. No deadlines. No conflicting sets of notes. But I don’t really see it that way. I treat this like a job because I’m working on making it my job.

To reinforce the whole “marathon, not a sprint” concept, maintaining a daily regiment of writing helps me prepare and get in shape for when it’s time to take on the real thing.

And when that actually happens, I’ll be able to keep up.

(Speaking of which, I’ll be running my first half-marathon of the year this weekend. Once again hoping to hit the 1:55 mark, but breaking 2 hours will be just fine and dandy.)

Mini Bulletin Board time!

-Writer/friend-of-the-blog Mark Sanderson is proud to announce the release of his new book A Screenwriter’s Journey to Success. Mark is also an accomplished screenwriter and script consultant.

-Script consultant/literary manager Whitney Davis will be teaching an 8-week Introduction to Screenwriting course through the Writing Workshops Dallas program beginning on April 4th. Even though the course will be conducted in Dallas, attending via Skype is also an option. Bonus for attending in person – Whitney’s homemade cookies.


Psst! Your desperation is showing

March 21, 2017
liz

Liz knew the value of taking one’s time

Seeing as how I post links to this blog on a few social media and networking sites, it’s inevitable that word about it will continue to spread across the globe (even more than it already has, apparently).

So along with global recognition (which is always nice), this also attracts attention from those with an idea for a story, a dream of hitting it big, and pure, unbridled ambition.

Those that have all of the above seem to be actively seeking me out, as I have once again received an out-of-the-blue request/plea for some screenwriting assistance.

A writer asked if I would take a look at their script, adding that English wasn’t their first language, so that part might still need some work. Even though this was their first script, they felt it was ready to go and if I liked it enough, they’d be willing to share the rights or even give full ownership to me.

They also included the logline and a few personal details about really, really wanting to move to the US so they can make it in the film industry.

One of my guiding tenets is to never insult or belittle somebody, nor do I have any desire to ridicule somebody for pursuing their dream. Tough as it was, I felt I had to explain a few hard truths to them.

-First, about the script itself. “Everybody’s first script is always bad. Always. I say this not to be discouraging, but from experience (both mine and from others). DO NOT expect me to read it and say it’s perfect, because it won’t be. When you’re starting out, you have to realize what you don’t know and be willing to learn from your mistakes.”

-About wanting to move to the US. “It takes a VERY long time to have anything happen. Focus on studying and improving your craft. Fortunately, that’s something you can do at home. Join some online writing groups. Network. Be friendly. Don’t just start with “Hi. Can you help me?” Nobody likes that.”

This was their response:

“Thanks for getting back to me. I really appreciate your advise. I know that everything you said is true. So I understand. I know you are trying to help me. I know it’s bad to ask help at the first moment I get to know someone. So I won’t do that again. I’m really grateful that I got to know you. Thanks again for your support.”

If you’re like me, you totally get where this person is coming from. They want it so bad it hurts. And that this is something that takes an excrutiatingly long time for anything to even happen just makes it that much harder to endure.

We all know this is not an easy or overnight process; there are no short cuts or quick fixes. It takes time to learn how to this right, so patience is an absolute necessity. But if you’re willing to put in the time and effort, then you’ll eventually start to see results.


A little booster shot for you

January 20, 2017
shot-in-the-arm

Don’t worry. This won’t hurt a bit.

Not a lot of writing done this week due to being slammed with a nasty cold. Hoping to get back on track next week.

In the meantime, waiting to hear about some potential leads. Exhilarating in that they exist in the first place, and frustrating in that things seem to advance as fast as molasses in January.

Each one part of the process we all put ourselves through in this crazy ongoing pursuit. It’s not easy. Far from it. But we knew that going in.

Some days it feels like success is a little closer within reach, and sometimes it feels like you’re caught in a fiery downward spiral of doom.

Given my druthers, I prefer the former.

In the meantime, here are two posts from last year that might help restore, or at least remind you of your confidence in yourself, why you’re doing this, and what you’re capable of.

In it for the long haul

Expiration date: NEVER!

Don’t lose hope, chums. Trust me, you’re not alone. I’ve been there too. We’re all in this together.

 


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