Just getting here is a story by itself

Toolbooth on Merit Parkway
Even better, the journey won’t cost you a cent

First, the good news: I wrapped up the rewrite/overhaul of the comedy spec (which seems more like a dramedy now.) Despite my dread and anxiety over whether or not it’s actually funny, it’s been sent out for notes. As I mentioned to one of my readers, as long as nobody says “What made you think you could write something funny?”, I’m good.

So, industrious scribe that I am, I find the best way to occupy my time while I wait to hear about a project is to redirect my focus and work on another one.

It was originally going to be a new take on the pulp sci-fi, but some story issues still need work, so that remains on hold.

But a few weeks ago, I was cleaning up around my office and found a hard copy of one of my earliest scripts: a horror-western. I don’t think I’d seen it or read it in about 15 years.

Wow, was it bad. Like “This first draft is going to sell for a million in no time!” bad.

But the idea behind it still worked, and was something I could definitely tweak and finesse into something a lot more coherent. I did mention how that old script was really bad, right?

So I started putting together ideas for the new draft. Let’s call this SCRIPT #1, or S1 to keep things simple.

Then another twist presented itself: a script with a low budget (the lower the better), a minimal number of characters and locations, and practically no visual effects has a much better shot of being produced than some mega-budget tentpole effects extravaganza.

With that in mind, there were aspects to this story I could use to create an entirely new and different one that met a lot of those criteria, so I jotted down some potential plot points in the same file. This is SCRIPT #2 (S2).

One file, two scripts. With me so far? It gets better.

After finishing the comedy, I decided I’d take on S1. I only had a vague recollection of all the story details, which I saw as a good thing. Although I’d still have the old draft available as a potential (albeit limited) resource, I don’t think I’ll use it all that much. This in turn, frees me up to go in whatever new direction I feel like.

As I thought up ideas for S1, some of the story elements from S2 started creeping in. Since I didn’t want the two to be too similar, more focus was put on developing S1. It’s still a work in progress, but coming along quite nicely. And so much better than that old draft.

Ah, but what of S2? Like I mentioned, there were story elements I really liked, and putting some of them into S1 forced me to come up with new ideas for it. There was one in particular that really stood out for me, and the more I thought about it, the more it felt like it would be able to be the basis for a solid story.

I combined that idea with the aforementioned low-budget approach and came up with what I really think is a great high-concept idea. Such to the point that I whipped up a logline for it, along with a title that feels very “that’s perfect!”

My belief and enthusiasm for both S1 and S2 is to the point that I’m now alternating between both; working on one, then the other. My objective now is to have at least a first draft done for both by the end of the calendar year. It’s already proven to be, and will no doubt continue to be, a most interesting process.

I’ll keep you posted.

The gears, they’re a-turnin’ again

chaplin 2
Sometimes you have to really throw yourself into your work

During a break from working on the comedy spec rewrite, I was digging through some files on some of my other scripts and found a friend’s notes on the pulp sci-fi spec.

I hadn’t read them in months, and vaguely remembered there were some quality comments, so since this is one of the scripts I’m considering working on next, I gave them a quick skimming.

(This is also a good time to remind you that unless you honestly and truly feel that a script is finished, never throw away any of the documents associated with it. You’d be surprised how invaluable those can end up being.)

Yep, definitely some good stuff in here, along with some very valid points about the story and the characters. One of the comments that really struck home for me was that while they liked the story and the ideas behind it, a lot of it still felt too familiar. There were a few moments of uniqueness, but they wanted more. Something slightly different from what they’d read.

“Familiar, but different.” I’ve heard that before.

And it really got me thinking. Even more so this time around.

As it reads now, it’s a good, fun story, but I know it can be better. And different. All while still maintaining the qualities and elements you’d expect for this kind of story, which is what made the idea of developing it so appealing to me in the first place.

Working in my favor is that this was an early draft, so some significant changes were already inevitable, and I at least have a pretty solid foundation from which to start the rebuilding process.

Another bonus is that this is the kind of story where the more new and original ideas I can come up with will only help make the end result stand out that much more.

As I mentioned, this script is a potential “next up”, but not a priority. If an idea or concept for it suddenly pops up, I can easily open up the script’s notes file and jot it down. That way I’ll have it right there and ready to go when that rewrite gets underway.

But for now, back to the comedy.

-A few items for the bulletin board:

-Filmmaker friend of the blog Hudson Phillips is running a crowdfunding project for his post-apocalyptic tale of female empowerment This World Alone. As of this writing, they’re just over 2/3 of the way there, so donate if you can!

-If you’re a screenwriter looking for something a little different in terms of a writing retreat, take a gander at what the Aegean Film Lab has to offer: an international screenwriting workshop in July on the Greek island of Patmos. It’s part of the Aegean Film Festival and a partner of the Sundance Film Festival. I won’t be able to make it, but maybe you will.

Just the pep talk I/you/we need

pecan pie
Where else could you find comfort, reassurance, and tranquility, all on the same plate? 

(Author’s note – I wrote a lot of this earlier in the week, but circumstances of a confidence-instilling nature have occurred since then. I considered scrapping it and starting over, but thought the content was still relevant, so opted to stick with it. Enjoy.)

Let’s face it. Trying to make it as a screenwriter is an almost impossible task.

Emphasis on “almost”.

It can be done. Remember, every single writer whose name is up on there on the screen had to go through a lot of the same things you and I have. Probably even more.

The sad truth is that you will have to endure a lot of frustration before you start to even come close to achieving the results you want. And that frustration can easily lead to anger and depression and feeling like you’re wasting your time and this is never going to work out.

I say this because I’ve been that writer. Many times. This week was no exception. Several writer colleagues had some truly awesome things happen for them, and deservedly so.

Still, I can’t help but feel a slight pang of jealousy about it, but that’s all on me. In no way would I ever intend to divert the spotlight away from their success. They earned it, so they are more than entitled to enjoy it.

As for me, sure, I might wallow in self-pity for a little bit, but time and experience have helped me “get over it” faster, but the hurt does tend to linger.

Writing might be the last thing I want to do, but it’s actually been pretty therapeutic. Shifting your attention to another project – maybe one you haven’t worked on in months – helps with the emotional recovery process. Sometimes I’ll vent to another writer; usually someone who’s been through the exact same scenario.

Once I get all of that out of my system, the drive to succeed once again takes over, I get back on the horse and pick up where I left off – because the only way I’m going to make it is to keep trying, and that the only person who can make it happen is me.

That’s how it is for all of us. You’re not alone.

There will be so many situations where things don’t go your way. In the beginning, it feels like somebody’s stomping on your soul. But you eventually learn to accept that it happens, which helps toughen you up for the next time, of which there will also be many.

So on that note…

There will be a lot of times you just want to give up, or feel like the only word you ever hear is “no”, or have it seem like you’re the only writer on the face of the Earth not making progress.

Corny as it may sound, the best piece of advice I can offer is to keep at it. You will definitely hear “no” a thousand times before that one significant “yes”, but you won’t get it at all if you don’t keep going.

This is not a career path for the easily-defeated or the thin-skinned. I’ve had people tell me my story ideas were stupid and my writing was awful. One memorable character even thought my script was so terrible they were certain it was some kind of practical joke. Comments like that sting, but only temporarily. You learn to ignore them to the point they don’t even faze you anymore.

I’ve had the good fortune to make lots of connections with very talented people, many of whom have been more than willing to help me get closer to that goal.

I’m still here, still trying, determined as ever. And I sincerely hope you do the same.

The drive. The motivation.

feather quill
This would probably be easier with a typewriter or a computer

I’ve been on quite a bit of a tear the past few weeks, with a lot of rewriting, revising and polishing going on for a few scripts. Definitely couldn’t have gotten to this point without some extremely helpful and insightful notes for each one.

Since a few of them involve working with other people, I like to do the polite thing and keep each person updated regarding the progress on the respective script. Where I am in the story, how it went with scenes or sequences that needed work, that sort of thing.

I tend to include my enthusiasm for latest developments and optimism for continuing success in those updates, which seems to garner responses along the lines of:

“I can see it in your energy.”

“I love your work ethic!”

Making headway on a script, no matter how big or small, is addicting. You’re able to make something better, and you want to keep doing it.

To me, it’s really just loving doing this. And the more I do it, I like to think I get a little bit better each time. Probably also safe to say that seeing as how this is what I want to do for a living, enjoying it is a bit of necessity.

It’s always great to see or hear another writer really get into talking about their script because you can see their excitement about it shine through. It’s infectious. But there are also those, myself included, who get frustrated or depressed about their lack of progress. That’s understandable. We’ve all been there. Even the most successful pros.

But at the heart of it all we keep pushing forward, doing our best to not only make the material better, but to also improve how we go about making it better. It’s a challenge, to be certain. One that requires constant effort. Even when you don’t want to, or think it’s all for nothing.

Nobody ever achieved success by giving up.

And I’ve no intention of giving up.

One goal, lots of strategies

to do list
Step 1 – plan. Step 2 – execute. Step 3 – repeat Step 1.

Last time the subject was how we did, writing-wise, during 2017. Today, it goes beyond simply what you’re hoping to accomplish to “So what are you doing about it?”

Just a few days into the new year, and how much writing have you done? Are you adhering to the guidelines you set up for yourself? Making the most out of the time you have available? Are you saying to yourself “No more Youtube! No more (insert preferred form of social media here)! I got me some writing to do!”, followed by actually turning off that unwanted source of input and applying proverbial pen to digital paper?

Jeez, I sure hope so.

Repeat the process on as close to a daily basis as you can get, and you might be pleasantly surprised at the results. You might have more time to work with during the day than you realize, so why not make the most of it?

Long-term goals are all fine and dandy, but continuously crossing the finish line for smaller (and some might say more realistic) ones can also yield some solid results. It’s one thing to say “I’m going to write four scripts this year!” and another to say “I’m going to write three pages today!”, and you’d have to admit the second one is just a little bit more achievable.

Additionally, if you stick to that schedule and maintain the same kind of daily output, you could potentially hit at least some of your long-term goals a little sooner. Write three to four pages a day every day, and within a matter of weeks (or maybe a little more than a month), you’re the proud parent of a completed draft. Sure, it might need a lot of work, but the important thing to remember here is : YOU DID IT.

As 2017 wound down, I knew what I wanted to happen for me, writing and career-wise, in 2018. Now that we’re almost a whole week in, I’ve been making an effort to try and get something done on both fronts every day.

For the writing, it’s anything and everything, running the gamut between outlining, rewriting, editing, proofreading, or even just jotting down an idea for a scene in the under-construction outline for a story I haven’t looked at since April. Working with some very quality notes for two scripts, I’m actually ahead of schedule with rewriting one, and gearing up to dive into the second when that’s done.

For the career, it’s about finding more avenues to get myself and my scripts out there. I’m not just pitching stories; I’m pitching a storyteller as a potentially invaluable resource. There will be plenty of “no”s along the way, but all it takes is that one “yes”, right?

And once again, let’s tout the benefits of networking; making and maintaining your connections. You never know which one could lead to something.

While I’m still doing some of the things I’ve always done, there was also that feeling that new and different approaches were necessary. So as I work my way through all the assorted processes involved with writing scripts, I’m also navigating the awkward transitional phase of a few readjustments.

No matter what, the end goal remains the same. As always, fingers remain firmly crossed that this is the year it happens.