Words properly arranged

March 7, 2017
typist

Behind that disarming smile lurks the constantly-devising mind of a creative genius

Jumping back to focus on the pulp adventure spec, along with a return of that certain ZING! one gets when quite psyched about a story. Yep, still going strong.

Gotta say, this whole “break down each scene to its individual elements” thing is really working out nicely. It’s tremendously easier to have a line-by-line description of what happens rather than trying to figure it all out on the fly.

The most recent wrinkle has been manipulating the events that lead up to and just after the midpoint of the story. I originally had the antagonist explaining their sinister plan, but seeing as how it sounded a lot better in the outline than it does on the page, there’s been some extensive editing, rewriting, cutting and pasting going on over the past couple of days.

And this was just for a couple of pages’ worth of material.

Among the pleasant surprises:

-discovering that a line or action in one scene could easily be relocated, thereby making the new scene that much stronger. All the elements were in place; it was just a matter of finding the right order in which to put them.

-being reminded of the concept of “less is more”. Some scenes as originally written turned out to be simply overly complicated – just too much going on. By eliminating everything EXCEPT what’s necessary in that scene naturally tightens things up, but also really moves things along and gets the point across that much faster.

-figuring out a way to present details of the plot without being so blatantly obvious about it. Implying seems to be much more effective.

It took a while, but the changes that have been made have proven to be most satisfying. No doubt there will be more of this sort of thing in future drafts, but for now it works.


A long (train) ride comes to an end

March 3, 2017
caboose

Fittingly apropos

A good number of years ago, I came up with an idea for a script.

“Write something you would want to see.” This definitely fell into that category.

There were so many angles and aspects to it I found appealing. The concept kept drawing me in, compelling me to tell the story in the most entertaining way possible.

To say I’ve really thrown myself into it during all this time would be an absolute understatement.

I couldn’t even tell you how many iterations and drafts this story has gone through; let’s just say a whole freakin’ lot.

Notes? I’ve probably received enough to make two books, or at least a really long pdf. Some were good, some weren’t, and some seemed to exist in an alternate dimension where opposites are the norm.

I’d finish a draft, thinking, “Okay. This is IT.” And if you’ve been following this saga, you know how it turned out each time.

There were lots of times of feeling totally burned out, thinking there was nothing else to do. Or receiving comments like “Why keep messing with it? It’s good enough as it is.”

But something kept nagging at me, saying “This can still be better. Keep going.”

So I did. My faith in the story was still strong. I knew I could make this work.

The tweaking/fine-tuning continued, aided by a few more sets of notes courtesy of very qualified readers. My red pen was working on overdrive. Cut this. Move this. Switch these around. Expand on this. Changes and fixes were made, until…

“The End” had once again been reached. But this time it felt different. I won’t say “complete”, but you get the idea.

I’ve been extremely fortunate in connecting with a lot of exceptionally talented writers over the years, and there’s one whose critiquing ability I hold in very high regard. I asked them to look over the script, adding that this was for the most prestigious screenwriting contest of them all.

The last time they read it was two years ago, so there was some extra intrigue regarding what they’d think of this draft. Approval from one’s peers plays a bigger-than-expected part in helping a writer develop.

They liked it.

A lot.

I’ve been writing screenplays for quite a while, always striving to improve both my skills and the quality of my material, all as part of the effort to become a working writer. Reading their notes helped solidify my belief that this could actually happen.

Final preparations are being made to submit the script to the aforementioned prestigious screenwriting contest. Is this draft better than previous ones? Definitely. Has its chances for this contest improved? God, I hope so.

Even if nothing happens with this or the other high-profile contests, I still have a script I consider well-written and exceptionally entertaining. At this point in time, I don’t think there’s any reason to do any more work on it. So now it enters into that category of “calling card scripts”, ready to be sent out at a moment’s notice.

In the meantime, my attention is currently being split between several other projects in various stages of development. And based on how much my writing improved working on this script, I’ll speculate that the quality of these newer ones might just end up being pretty darned good.

 


Fine-tuning in progress

February 28, 2017
lady-scientists

Aha! Almost missed that extra “the” in that sentence!

As of this writing, the early bird deadline for the Nicholl is about a week away. After some back-and-forth, I decided that, yes, I’ll take the plunge and once again submit my western.

Last year it made it to the top 15 percent, which isn’t bad, but I know it can do better.

And that’s what the next couple of days are all about: taking what I consider to be a pretty solid script and doing a little more editing/tweaking/polishing to make it even stronger.

For a long time I was convinced there was nothing else to be done on this script. Now I’m thrilled to have been so completely wrong. It doesn’t need a lot, but probably just enough to make a significant difference.

Earlier this year, I got some really good professional notes on it that raised some questions I hadn’t considered before. Implementing the suggested fixes really would make a difference.

So that’s what I’m currently in the process of doing. Nothing major, but some little tweaks, modifications, and minor rewriting here and there. And as is usually the case for me, these aren’t as insurmountable as I’d expected.

Part of this also involves going through the entire thing line by line, red pen in hand, just in case anything catches my eye as if to say “CHANGE ME!” Surprisingly, there have been quite a few of those.

I couldn’t say the last time I actually read through the script, but it’s definitely been a while. And it’s probably safe to say that this long stretch of not looking at it has definitely helped in enabling me to identify what needs editing/fixing.

And not to toot my own horn, but gosh this is a fun read.

In retrospect, I probably should have done this before submitting the script to PAGE, but if all this helps it do better with the Nicholl, who am I to complain?


My scripts won’t win Oscars

February 24, 2017
Nate D. Sanders Auctions Collection Of Academy Award Oscar Statuettes Set To Be Auctioned

“And the Oscar goes to…not me”

The Academy Awards are this weekend, and as is our usual custom, we’ll be watching it on TV while enjoying Chinese takeout from the place up the street.

Naturally, as a writer, the categories that interest me the most are about the screenplays; Best Original and Best Adapted. No slight against the rest of it, but let’s be honest. Movies start with an idea written down on paper.

What aspirational screenwriter doesn’t imagine that scenario where their script is the one they announce as taking the top prize? No doubt the number is legion of those who have given their acceptance speech to the imaginary crowd represented by the bathroom mirror.

Oscar-winning scripts are often held up as examples of HOW IT SHOULD BE DONE, so those are the ones we devour, studying them, picking them over, straining to get every ounce of help for our writing out of them as we can.

As entertaining and informative as these scripts are, I’ve also come to the conclusion that the kind of stuff I write – escapist adventure fare – isn’t exactly on the same wavelength as what the Academy appreciates.

Some writers want to write compelling tales about the human condition. Me, I want to spin ripping yarns involving the amazing and fantastic. Last I checked, those kinds of stories don’t usually win a statue of a little gold man.

And that’s quite okay by me. I just really like telling these kinds of stories. They may not be everybody’s cup of tea, but play to your strengths, right? You can’t please everybody.

Don’t get me wrong, being forever known as an “Academy Award-winning screenwriter” would be utterly amazing (and finally give me a good reason to want to go to my high school reunion), but that’s not what this is all about.

If I ever have the incredibly good fortune to establish a career as a working screenwriter who’s even more fortunate in being able to see their work up on the big screen, then just that in itself I would consider winning the biggest prize of them all.

 

 


Dipping into the archival depths

February 21, 2017
miners

Just unearthing a few more invaluable nuggets of wisdom

Lots and lots of activity going on for the hard-working staff at Maximum Z HQ. Writing of pages, giving of notes, assisting with development of outside projects, and assembling material for future posts, just to name a few.

So what does this mean in regards to today’s post?

While our number one priority remains, as always, to provide you with entertaining content, sometimes the producing of original material runs into a bit of snag, resulting in a lack thereof.

But never fear. All is not lost.

Thanks to having just over 8 years’ worth of material to pick from, there are plenty of opportunities to occasionally run a classic (i.e. old) post.

And today is one of those times.

Here’s a post from April 11, 2012, and the subject matter is still relevant. Plus, it features one of my favorite titles and photo captions.

Vamoose! Amscray! Skedaddle! Rampaging thesaurus on the loose!

Added bonus: stronger brainpower!

Egad! A gargantuan leviathan extirpating a metropolitan venue!

I read this the other day and loved it.

It’s too easy to rely on everyday verbs while you’re putting a script together.  The more picturesque a word, the more visual it becomes.  It makes the script that much more exciting and interesting to read.

I usually have two minimized windows running while I’m writing. Pandora for creativity-inducing background music and Thesaurus.com for when I just can’t think of a solid alternate verb. It might take a little effort to find the one that fits, but oh the satisfaction when you do.

Not sure if  a verb works? Follow the example in the quote and read the sentence aloud. Try it with different verbs. Which one sounds spot-on? Does it not only convey action but mood as well?  If somebody storms into a room, you can probably guess how they feel.  Compare it to somebody who slinks, sashays or (always a favorite) moseys in.

The writer’s job is to paint a picture of the story in the reader’s mind. And you want to hold their attention by using words that will do just that. A compelling story with fleshed-out characters helps too, but dull writing makes for boring reading.

I can’t remember the exact wording or who said it, but there’s this great quote that says something like “There are a million words in the English language. Use them.”

Sound advice indeed.


%d bloggers like this: