Words properly arranged

March 7, 2017
typist

Behind that disarming smile lurks the constantly-devising mind of a creative genius

Jumping back to focus on the pulp adventure spec, along with a return of that certain ZING! one gets when quite psyched about a story. Yep, still going strong.

Gotta say, this whole “break down each scene to its individual elements” thing is really working out nicely. It’s tremendously easier to have a line-by-line description of what happens rather than trying to figure it all out on the fly.

The most recent wrinkle has been manipulating the events that lead up to and just after the midpoint of the story. I originally had the antagonist explaining their sinister plan, but seeing as how it sounded a lot better in the outline than it does on the page, there’s been some extensive editing, rewriting, cutting and pasting going on over the past couple of days.

And this was just for a couple of pages’ worth of material.

Among the pleasant surprises:

-discovering that a line or action in one scene could easily be relocated, thereby making the new scene that much stronger. All the elements were in place; it was just a matter of finding the right order in which to put them.

-being reminded of the concept of “less is more”. Some scenes as originally written turned out to be simply overly complicated – just too much going on. By eliminating everything EXCEPT what’s necessary in that scene naturally tightens things up, but also really moves things along and gets the point across that much faster.

-figuring out a way to present details of the plot without being so blatantly obvious about it. Implying seems to be much more effective.

It took a while, but the changes that have been made have proven to be most satisfying. No doubt there will be more of this sort of thing in future drafts, but for now it works.


Start with similar, venture into different

February 17, 2017
path

With one you can play it safe, while the other offers up more of a challenge

In the handful of times I’ve helped out as co-writer or script polisher on somebody else’s project, there have been variations on the following conversation:

ME: And then THIS happens!

THEM: Oh, we can’t do that. ACTUAL MOVIE did the same thing.

ME: Not exactly. ACTUAL MOVIE did THIS, and what I’m suggesting is maybe at the very foundation the same concept, but if we did it THIS WAY so THIS HAPPENS, it would be entirely different.

THEM: But won’t people think we’re just ripping off ACTUAL MOVIE?

ME: First of all, ACTUAL MOVIE has been out for a while, and you’re at least a year away from having this thing done, so I highly doubt the first thing anyone’s going to think is we’re ripping off ACTUAL MOVIE. Second, this is exactly why I think THIS is how it should happen. True, both use the basic concept, but we’re putting our own spin on it so it doesn’t resemble ACTUAL MOVIE at all. They’re similar, if you could even call it that, but still different.

THEM: (thinks it over). Well, okay. We’ll give it a try.

And…scene.

I’ve read about this in articles and seen it firsthand while reading scripts, both times usually associated with newer writers. Somebody really likes how something happens in a film or a script, so then they go and have the EXACT SAME THING happen in theirs. I get that you liked that original, but why, oh why would you want to use it practically verbatim in yours?

Doing the screenwriting equivalent of a “copy, cut, and paste” will do you no good because it’ll be painfully obvious that’s what you did. You’re trying to tell an original story, and THIS is what you do?

If anything, people will definitely think you ripped off that original thing and berate you for your total lack of originality. Was that your goal? Probably not.

Time to get analytical. What was it about that particular something that really got to you? Why do you feel the need to have the same thing happen in your script? That’s the angle from which to approach it.

But this is also where the challenge begins. Once you identify that core detail, it’s up to you, the writer, to figure out a new way to use it in such a way that not only does it serve the purpose you need, but also pays homage to what inspired it in the first place.

You know where things are going, or at least where you want them to go, but now you need to tweak how they get there. Work those muscles of creativeness! Try something new! Don’t hesitate to jump off the beaten path into new territory! If anything, you might come up with an entirely new idea that accomplishes exactly what you needed, but just a totally different way.

Sure, there’s a very slight chance it could potentially remind somebody of ACTUAL MOVIE, but they’ll definitely remember that it came from yours.


Edits, inspiration, and the rinse cycle

February 10, 2017
housewife

Gosh, what a day! My whites are sparkling AND I have a stronger sense of my protagonist’s internal goal!

I’ve mentioned before about my tendency to overwrite, which usually applies to both outline and actual pages. This time around with the pulpy adventure spec is no exception. There’s simply too much going on, so before the amount of material got too overwhelming, some significant editing was needed.

I don’t know how or why I do this, but sometimes there’ll be a scene or sequence that’s more or less a repeat of what’s already happened. Such was the case here. In the overall context of the story, the second one was more important, so thus began the great removal of the first one, along with reinforcing the connection between what came before it and the second one. It actually wasn’t too bad. It tightened up the story much more than anticipated and, in my opinion, kept that energetic momentum going.

My slightly unusual work schedule allows me to dedicate most of the early afternoon to writing, which is occasionally interspersed with some household chores. For this particular instance, it was laundry.

In some ways, I’ve been quite content with my progress, but there was something still nagging at me about it. Things felt…incomplete.

I was somewhere in the middle of that day’s writing session when the washing machine let me know the latest load was finished. While my body went through the motions of hanging stuff on the drying racks, my mind was barreling along a continuous stream of thought.

“What if THIS HAPPENED? Or THIS? Maybe I’m looking at this from the wrong angle. A lot of this has been about the protagonist. What about the antagonist? I don’t want them to come across as a mustache-twirling cartoon villain. Their goal seems too vague. Hey, I wrote a post about that. This is their plan, but why are they doing this? How about THIS? Hey, that’s not bad. Let’s take it one step further and make it THIS. Ooh! This would tie in perfectly to the rest of the story! Hmm. Would this make them see themselves as the hero? Whoa. It sure does. Hokey smokes, I think I’m onto something. I better write this down!”

And I did. It was like the satisfaction you’d get after finding the long-lost last piece of a jigsaw puzzle and snapping it into place. The more I thought about this, the more excited I got about implementing it. In fact, the editing/rewriting is already underway.

I cannot begin to explain what a surge of writing adrenaline (if there is such a thing) this created. There’s a line of dialogue in my western that even to this day still gives me chills. This new idea – same thing.

While all of this will no doubt push back the projected end date for having a completed first draft, this new development is totally worth it.

This is just another example of how inspiration really can strike when you least expect it. Embrace it when it does.

And if you’ve been sitting at your computer, frustrated that the words won’t come, maybe stepping away and doing something completely mundane might provide the solution you seek.

Plus, you’ll get the laundry out of the way, which is always good.


Now it gets really interesting

January 24, 2017
desert

First few steps are always the toughest. Good thing I came prepared.

Let’s pause now for your humble blogger-in-residence to proudly proclaim that Act One of the first draft of the pulpy adventure spec is complete.

Whoopee.

But you know what that also means.

Yep. Time to buckle down even more, strap myself in, and jump feet-first into the intimidating arena commonly known as Act Two.

I’ll also admit it’s a little thrilling, too. There was a particular charge in working out the action sequences and story set-ups in Act One, so I’ve a strong suspicion the continuing build-ups for the former and the gradual development of the latter will be equally, if not more so, fun to write.

(and believe me when I say this is the kind of story that automatically requires a sense of fun)

Maybe it’s from continuously trying to improve as I go, but working on Act Two doesn’t seem as intimidating as it used to. Not to say that it comes easily; just slightly less insurmountable. I spent a lot of time on the outline, so confidence in that is pretty solid.

I read a lot about how a spec script might have a phenomenal Act One, but then things fall apart in Act Two for a myriad of possible reasons: the characters don’t do much/nothing really happens, or the overall story’s too thin, so a lot of Act Two is empty filler, and so on.

The only writing process I know is my own, and I always strive to make sure the story feels…complete? Full? It comes down to “I know what has to happen to tell this story,”, and while the first act is all about setting it all up, the second act is about fleshing everything out.

We get a closer look at the characters and how they’re progressing through the events of the story. We can see how they’re changing from when they were first introduced. Plot threads of all sizes get further developed. The central question is continuously asked (oh-so-subtly, of course).

It also involves steadily-mounting complications for your protagonist. They’ve got a goal, and it’s our job to throw all kinds of obstacles in their way that just keep making it harder for them to reach it. Again, a lot of it happens during our second act.

Act Two really is where the meat of the story takes place, so stuff needs to happen that not only holds our interest, but makes us want/need to know what happens next, and even that better be that much more intriguing.

 

As you’d expect, our work is cut out for us.

So off I go. Dispatches from this formidable excursion as they develop.

See you on the other side.


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