I speak from experience

SF running
Exercise, a view, and lots of time to think about your script

“Writing a screenplay is a marathon, not a sprint.”

Bet you’ve heard that one before, right?

It’s true. Learning how to write a screenplay takes time, let alone how to do it well. It might come easier for some, but no matter what your skill level is, it always remains a struggle.

And that feeling when you’re done (at least with the latest draft)? Euphoric sums it up quite nicely.

So that whole running metaphor is pretty apropros. Especially for me.

For those not in the know, I enjoy running half-marathons. Seriously.

I’ve run about a dozen or so the past few years. Like with the writing, it’s a self-imposed challenge and pushes you to keep moving forward. Believe me, there are definitely times during those races I just want to stop and catch my breath, but I don’t because I want to keep going and see what I’m capable of.

I usually finish somewhere just under 2 hours, which isn’t bad.

A few weeks ago, I ran a race in San Francisco and finished with a time of 2:02:56, which some might think is great, but I still considered a little disappointing.

This past weekend was another race – across the Bay in Oakland. The results of the previous race really shook me up. Was I once again going to fall short of my goal?

Only one way to find out.

I did my best to maintain a steady pace and continuously reminded myself that even though it was a challenge, I felt I had a pretty good handle on it. Oakland’s also a lot flatter than San Francisco, which probably helped.

The home stretch for this race is an 8-block-long straight line through downtown Oakland. At the finish line, there’s always a big digital timer. As I got closer, the numbers came into view.

1:54:30? Wow! And just a handful of blocks to go!

You know that feeling when you’re writing the last page of your script and FADE OUT is coming up fast and you get that sudden rush of adrenaline and you can’t believe the end is finally in sight?

Even though you’re exhausted and feeling totally spent, you can always find that hidden reserve of energy, which is just enough to get you to that goal.

Giving it everything I had, I poured on the speed (or at least as much as I could muster) and ran like a madman to that finish line.

End result – 1:54:59. Not only did I break the 2-hour mark,  but I just squeaked by my other personal objective of breaking 1:55.

All that self-doubt from before had been erased. I had given myself a goal and set out to accomplish it.

Notice all those comparisons to screenwriting that could be made?

Every script is your own personal challenge. Sometimes it’ll be easy, and sometimes it’ll feel like nothing is happening, but the important thing is for you to keep at it and not stop trying to reach that finish line.

Like with training for these runs, it requires a lot of work. You find the time to do it when you can, hoping each session yields a slightly better result than the previous one.

My current work on the comedy spec coincides with this latest round of training for my next race – early November, and again in San Francisco. Both script and race will be a little more on the challenging side, but by engaging in regular training, I’m fairly confident I can achieve the results I seek.

A little stretching, a few deep breaths, and off I go.

Let’s get moving, chums.

That special spark within

roald dahl
Why is this writer smiling? You would too if you came up with the term “Everlasting Gobstopper”.

This past weekend, I had the opportunity to meet with some fellow Bay Area writers. Among their number was a writer who had written some small stuff, and was in the middle of working on her first big project – a TV pilot.

Even though I don’t know much about writing for TV, I and another writer offered up what advice we could. The recipient was very appreciative, and one of the things she said later on in the conversation made a very strong impression on me.

“I know the first draft isn’t going to be perfect, but I’m just really loving writing this.”

Truer words could not have been spoken.

Like I told her, I write stuff I would want to see. It’s taken me a long time and many drafts of many scripts to feel like I’ve really come into my own. Each time, the end result is a script for a movie I think would be an absolute blast to see play out on the big screen.

It always astounds me when a writer complains about having to write (or rewrite). If you don’t like doing it, WHY ARE YOU DOING IT?

It was genuinely pleasing to hear this writer who, despite the challenges she knew awaited her, was still excited about working on this project. Sure, she was still nervous about doing a good job and hoped the end result didn’t suck too much. No matter how many scripts you’ve written, that feeling never goes away.

But to simply see her face light up while she described the story (which is a real doozy, believe you me) and hear her talk about what she’s experienced so far, including doing the research involved, and learning what to do and not to do regarding formatting, it was just really, really pleasant.

I’m sure a lot of us do this because the title “storyteller” really suits us to a tee. Are some better at it than others? Sure, but instead of being discouraged about what you perceive as a lack of progress, try seeing every time you write as a chance to learn and improve. Because it is. It’s certainly been that way for me, and I strongly suspect I’m not alone in that.

I got the impression our little chat gave this writer an extra little jolt of encouragement that she wasn’t expecting. She doesn’t know when the pilot script will be ready, but I told her not to worry about that and just keep enjoying writing it.

I suspect she will.

-Friend of the blog Andrew Hilton (aka The Screenplay Mechanic) is offering a special deal as part of his stellar screenplay analysis. (Editor’s note – his notes helped shape my western into what it is today)

If you use any of his services, refer a friend, or write a Facebook review of your experience using his services, you are automatically entered to win a free DVD of the motorcycle documentary WHY WE RIDE (of which Andrew was a co-executive producer).

The winner will be chosen on October 1st. The holidays will be here before you know it, and if you or somebody you know loves motorcycles, this would be an excellent gift (as would purchasing some of Andrew’s script services for that special screenwriter in your life).

All the details here.

-My time in the San Francisco Half-marathon the weekend before last – 2:02:56. Disappointing, but still glad I did it. I blame all those uphill stretches in the second half. And probably not training enough.

Next race is coming up in a few weeks in Oakland. Pleasantly flat Oakland. Training a little harder for it, with the intention once again of hoping to break the 2-hour mark.

Just the tune-up it needs

eastwood engine
Clint knows what needs to be fixed

The latest batch of notes on the pulp sci-fi spec have been analyzed, some even incorporated, resulting in the latest draft.

Thing is, something still seemed a little off about it. But after having spent a good chunk of time on it, I opted to give myself a little break and skip jumping right back in, and instead put it aside to simmer while I focused on a few other projects.

A couple of weeks have passed since then. The time felt right. I opened it up and simply started reading in the hope that maybe the solution would simply present itself along the way.

A lot of it still held up. It’s still a fun, fast-paced action-packed story.

But what really stood out this time was how there was a lot of unnecessary text on the page. It wasn’t a matter of overwriting; more of a “maybe a little more than you actually needed.”

I went back to page one and started editing, line by line. A word here, a phrase there. More and more of my darlings were being lovingly obliterated from existence, creating a somewhat tighter story that didn’t sacrifice any momentum (so far).

Some of the notes also mentioned the occasional lack of information in terms of backstory. I occasionally have the habit of thinking I’ve included an important detail or at least allude to it, when it reality – nope.

Using this fine-tooth comb approach has also enabled me to identify and plug up holes in the plot. Sometimes I might stumble onto a minor issue I didn’t even realize was or wasn’t in there, and am able to take care of it. Again – tighter and continued momentum.

This draft continues to progress nicely, and I’m hoping to wrap it up soon – but still making a point of taking my time and thinking my way to each solution.

-I’ll be running the first half of the San Francisco Marathon this weekend. While a time of 1:55 would be great, as long as I beat the 2-hour mark, I’ll be fine.

-If you’re a screenwriter in the San Francisco Bay Area or northern California region, and want to meet other screenwriters, the NorCal Screenwriters’ Networking Shindig on Sunday, July 30th, might be just what you need. 2-4pm at Kawika’s Ocean Beach Deli (734 La Playa – a block from the ocean!). Cost – FREE! Drop me a line if you’re interested.

I refuse to be complacent

runner
The road gets tougher, you run harder

First-round results for two of the biggest, high-profile screenwriting contests have been released within the past week, and the pattern for my western’s performance in both has once again repeated itself.

Total whiff for PAGE, and top 20 percent for the Nicholl. (I’m not doing Austin this year)

I didn’t get notes from the former, and based on the ones I got last year for the latter, am not that curious as to why it placed where it did.

My initial reaction was, naturally, disappointment, but this year is markedly different in what came immediately after.

There’ve been days where the agony, frustration and just plain shittiness of things not working out was so strong I’d seriously contemplate just walking away. After all, that would be one less member of the competition, right?

But that’s simply not an option – for any of us. Our desire to succeed as writers burns too bright.

I may not have done as well as I’d hoped with these contests, so instead of shrugging my shoulders and saying “Oh well. Better luck next year,” I plan on doing whatever I can to increase my chances. With a vengeance.

Gone is the wallowing in a blessedly brief mindset of “poor, poor pitiful me”.

In its place – a reinvigorated drive to buckle down, work even harder and write scripts so fucking amazing those readers won’t know what hit them.

I don’t think I can. I KNOW I CAN.

Damn the torpedoes and full speed ahead, chums.

-A new addition and a return appearance on the bulletin board this week:

-Filmmakers Caitlin Stedman and Kayla Ditlefsen have launched a crowdfunding project for their short film Unattainable. They’re around the 60 percent mark, so donate if you can!

-The crowdfunding for filmmaker Steve Davis’s No Glory continues, with about a month to go. Steve’s a talented guy, and this sounds like a fantastic project. Donate if you can!

181 days in, and…?

beach gals
First we write, then we hit the beach. Who’s in?

My goodness, where does the time go?

Here it is the last day of June, signifying the halfway point of 2017, which means it’s time once again for that most lauded of blogpost topics:

The Project Status Update!

This is your opportunity to give as much or little info as you desire regarding what you’re currently working on, finished so far this year, or plan to jump into in the coming months.

Mine’s pretty simple and straightforward.

-Currently revising two scripts – a comedy and the pulp sci-fi spec. Already have a spec rewrite project lined up for when both of those are done – target start date is end of the summer.

-On the non-writing front, I’m signed up to do 4 half-marathons between now and the end of the year. A slight chance that number might potentially increase by one or two, but it remains tentative. As long as I can keep my time under the 2-hour mark, I’m good.

So how’s 2017 been for you, writing-wise?

A few items from the bulletin board:

-Filmmaker Steve Davis has launched a crowdfunding campaign for his World War 2-era short No Glory on Indiegogo. Looks pretty cool. Donate if you can!

-Even though the focus around here is mostly on screenwriting, a lot of writers are also interested in writing for television. The National Hispanic Media Coalition TV Writers Program is accepting applications from Latino writers between now and August 7. If you qualify, give it a look-see!

-If you’re a screenwriter in the San Francisco Bay Area (or the general northern California area, or just happen to be in town that weekend), the NorCal Screenwriters Networking Shindig will be taking place from 2-4pm on Sunday, July 30th, at Kawika’s Ocean Beach Deli at 734 La Playa (between Balboa & Cabrillo, just a block from the Pacific). Let me know if you’re interested in attending. Hope you can make it!