The (much) tougher part

ali hit
99% of the time, you’re George Foreman

In this week’s previous post, I wrote about the necessity of how a writer needs to enjoy the actual writing part of being a writer.

A few colleagues piped in, saying while that part of it holds true, they also find the business aspect (i.e. the marketing of YOU) to be significantly harder and much more challenging. Taking it one step further, lack of progress on that front adds to their frustration.

I can’t argue with any of that. I’ve experienced it firsthand many times.

Friend of the blog Phil Hardy had this to say:

“…this should resonate with most of us that are doing the same thing as you are. However, one of the keys in trying to be a successful writer is spending a fair amount of time crafting query letters, answering ads or attempting to make contact with industry people anyway you can. Many writers fall flat in this area. One should definitely spend as much time as they can trying to promote and sell their work, as well as taking joy in the act of writing it.”

Simply put, marketing and promoting oneself is a necessary evil that a writer has to be willing to undergo and endure as many times as it takes if they want to succeed. Sucks, but it’s the truth.

After working on a couple of scripts and building up my arsenal of materal, I’ve decided to take the plunge again.

I’ve put together what I consider to be a pretty effective new draft of the query letter. Gone through the list of managers, agents and production companies, researching who might a good match for each script.

A few queries have been sent, so the waiting and hoping for a positive response begins yet again. All the while, working on more scripts. It’s all I can do.

My efforts to improve my networking skills have also paid off. Every once in a while, a colleague will send me a listing that seems tailor-made for one of my scripts. Even though none of them have worked out, it’s made me aware of more opportunities than I would have been able to find on my own.

We all know this is not an easy path. It’s extremely tough and really puts your endurance to the test. The question you have to continually ask yourself is “Am I willing to keep working at this until I get the results I want, no matter how long it takes, how frustrated I get, or how impossible it seems?”

I can only speak for myself.

Yep.

-You might find these older posts somewhat relevant and worth a read.

The me businsess – a 24/7 operation

A support staff of one

The reason why

sunset-holden
Only a slight connection here. I just like referencing this movie.

The busy times never stop around Maximum Z HQ. Among the latest tasks being undertaken:

-Rewrite/overhaul of the low-budget comedy

-Sporadic rewrite work on the pulp sci-fi spec, with initial sets of notes being carefully scrutinized

-Crafting together some pretty solid query letters, along with researching the best places to send them

-Jotting down notes for several future projects, including a comedic take on one of my favorite genres

-Providing scriptnotes to patient writer colleagues

You’d think with all of this going on, plus the non-writing normal life, I’d be exhausted.

Actually, I am, but it’s cool.

The way I see it, keeping busy like this helps me be a better writer; continuously working on something helps me be productive and further develop my skills.

Sure, somtimes the amount of actual writing is bare minimum, or maybe even not at all, but that’s okay too. All work and no play and all that.

Most importantly, I’m just getting a real kick out of doing it. If I wasn’t, I’d be a lot less likely to want to keep going.

And there are also days where it all gets so frustrating that I want to just walk away from it all. But I like doing it to much to even consider that.

Some recent interactions I’ve had with other writers have included more than a few of them expressing frustration about their diminishing hopes of making headway with breaking in and getting a writing career going.

I feel for them. I really do. As just about any writer will attest, this is not an easy undertaking. “It’s a marathon, not a sprint,” right?

Even though all of our chances are somewhat slim, I suggested they keep at it, if only for the sheer joy of writing. Isn’t that what got us all started?

When I asked one writer how their latest project was going, the response was “Really enjoying working on this, even though I know nobody else will ever see it.”

I totally get that. We all have our reasons for deciding whether or not to put our work out there, but the important thing was that they were having a good time with it. And you can tell if they were by what’s there on the page. It it was a chore for you to write, it’ll be that much more of a chore for us to read. Is that really the route you want to take?

So no matter what it is you’re working on right now, I sincerely hope that it’s bringing you as much joy and pleasure as you’re hoping to provide to your reader/audience.

Much ado about…you know

angry writer
Nope. Not that either. How about…?
That’s it. I’m stumped. I honestly have no idea what to write about today.

It’s not necessarily writer’s block; more of a “want to try something new, but not sure what.”

Sure, I could once again bore you to tears with the latest update on how the pulp spec is going, but that implies a lack of originality (along with feeling stuck in a bit of a rut), and I definitely don’t want that.

Or I could regale you with a written account of my latest encounter, virtual or face-to-face, and the events that transpired, followed by the lessons learned. But my social calendar on both fronts has been on the quiet side lately, which subsequently has given me more time to write, so there is that.

Yet another alternative is to share the latest developments for that ongoing goal/dream of “someday I’m gonna be a working writer”. Not exactly a tired old chestnut, but there’s no denying it’s provided me with a lot of material over the years. One might even go so far as to say it’s inspired others to forge their own path. But then again, that’s not for me to say. I’m too busy trying to come up with an interesting topic.

I’ve been working on this blog for quite a while now, so thinking of new material can occasionally be a challenge. There are admittedly times I feel like I’ve covered as much as I can, and I don’t want to bore anybody with a dip into the pool of well-trod screenwriting topics. Seriously, how many times can you read me extolling the values of networking, analyzing the elements of a logline, or discussing what should and shouldn’t go in a query letter?

But counter to all of that, there are days where inspiration comes in and whacks me upside the head, resulting in a few paragraphs of pleasing prose/advice/assorted folderol about something affiliated with screenwriting, or at least how I stumbled onto the point I’m trying to make. That’s when the words flow like you wouldn’t believe. Before I know it, I’ve cranked out a post that could inexplicably be helpful to somebody. Without sounding too egotistical, even I’m impressed when I can pull that off.

While there are numerous other bloggers with significantly more experience than me, it’s rather surprising to see so many readers take a look at my latest offering, possibly make a comment or send me an email, and then keep coming back for more. I can’t possibly imagine what it is about me and/or my writing that would motivate anybody to read something here and then, of their own free will, return for more. Especially on a regular basis.

And then to take it one step further, they enjoy a particular post or two to the point of being so motivated as to then dig through the years of archived material in the hopes of finding anything else I’ve written that they’d consider worth reading.

Dare I even suggest that coming up with new material for this blog is in itself comparable to screenwriting? The ability to create some original material that would be considered professional, informative, and entertaining using nothing but the thoughts in my head and a moderately decent typing speed?

I don’t know if I’d go that far. But since you’re here, you can probably relate to my frustration of trying to write something when you can’t think of what to write.

That can be tough when it happens, but somehow we find it within ourselves to rise to the challenge we’ve given ourselves and actually figure out a way to come up with something and put some words down on the page.

Give me time. I’m sure I’ll think of something.

Opening doors with a calling card

reader
Hokey smokes! This is almost exactly what I’m looking for!

Amazing fact time!

Did you know that for as loved a genre the western is, there is an inordinate amount of hesitation to actually producing one?

It’s true. Shocking, isn’t it?

I can’t blame them. Westerns are an expensive undertaking. Locations, set design, wardrobe, horses. All that moolah really adds up. And fast.

And if the film bombs? Well, that bankroll is now gone with the tumbleweeds, along with an increased level of reluctance to look at other works in that genre.

I knew all of this all too well while I was working on mine (along with a steady barrage of reminders of that nature from those with nothing but good intentions), but it was a story I really liked and was excited about, so I wrote it anyway. Still very glad I did.

Now the script’s done and I’m working on the next one, but I’m also devoting some time to seeing what I can do with it. Contests, queries, the usual rigamarole.

As fantastic as it would be to see this story up on the big screen, the odds of that happening are not exactly in my favor, which is okay. I’m quite content to use it as my go-to calling card script. The ideal scenario: people read it, love the writing, and think I’d be perfect for another project.

A lot of writers write something with the intention of selling it, which 99.9 percent of the time ain’t gonna happen; it’s more important to write something to show, or maybe prove is a better word, that you’ve got talent and skills. Somebody reads your work and can tell this writer is somebody who know what they’re doing.

Would I love for somebody to read any of my scripts and say “I want to get this made!”? Of course.

Would I love for somebody to read any of my scripts and say “There’s no way I could get this made, but I really like the way you write. Would you be interested in this writing assignment?”

Without a doubt.

You don’t know me, but can you help me?

the-stranger
Let’s not complicate things with petty details like who I am

So this email arrived yesterday.

“Hi, Paul, Do you know any past or current Executive Producers that might be eager to engage in a new multi-billion dollar franchise that could be as good as “Harry Potter” or “Star Wars”?”

Immediate smartass answer: Well, of course I do, person-I’ve-never-communicated-with-before! I like the cut of your jib, especially with that totally unsolicited request for help! I’ll pass your info along straightaway! Even though I think smoking is a totally unhealthy thing, I’m going to learn how just to be able to literally light cigars with hundred-dollar bills which I’ll be grabbing out of the huge bags o’cash which will no doubt be continuously rolling in once Hollywood gets its mitts on this!

Secondary upon-reflection answer: Do you really think this is the best approach?

Sure, we’ve been connected on a networking site for several years, but as far as I can recall, have had absolutely no interaction during that time. No emails. No comments on a post. Not even a single “Hey, how’s it going?” And then, totally out of the blue, you come to me and ask for help.

I’m more than happy to help somebody out when I can, but it has to be somebody I know, somebody I’ve communicated with, and somebody I think is worth helping. Apart from this nebulous “connection” we have, to me you’re little more than a total stranger.

And you’re not asking for just any kind of help. You have what you proclaim to be “the next big thing”. If I had a dollar for every time I’ve heard or read that about a script/story/idea, I’d be able to fund my own franchise.

It’s great that you have a high opinion of your material, as you should, but keep in mind you might be the only one who does. You can prognosticate all you want, but that’s not going to impact anything. You can’t say something’s going to be a hit because you want it to be.

I’m still a little fuzzy on the details, but I think the title “Executive Producer” depends on the extent of that person’s involvement with the project. Until then, I believe “producer” is the appropriate title. Feel free to enlighten the rest of us in the comment section.

Let’s also discuss the fact that you sent this to me. Me. Why? I’m not exactly Mr Industry Insider. In fact, I’m more likely in the same boat as you; a nobody busting his ass trying to establish a career. Did you know that? Did you do any research, or are you just sending this to as many people as possible, hoping one of them works out?

I never responded to the email in question, simply because I don’t think it’s worth it. I suspect anything short of “Here are those names you asked for” would not be welcome, let alone “This is a really unprofessional email, and here’s why”. As always, I wish them the best of luck.

I’ll admit I’ve made a lot of mistakes over the years, but each one has been a learning experience unto itself. I’ve learned how to network, how to communicate, and how to interact. I know how to seek out help and how to offer it. I’m a firm believer in researching and finding out everything I can about whatever it is I’m working on.

I always strive to be as professional as I can when it comes to this sort of thing. Everybody’s a potential future partner/connection/resource, but I don’t take it for granted.

I’ll treat you with respect provided you do the same.