A few other writings of relevance

pro-writer
Only sixteen more items to deal with and I can call it a day!

First, the good/positive news – the rewrite of the comedy spec is complete. However, at 88 pages, it’s a little shorter than I expected. Fortunately, adding in another 4-5 pages shouldn’t be too strenuous.

As part of the effort to recharge my creative batteries before jumping back in, I’ve stepped away from it for a couple of days.

From actually working on that script, anyway.

Since there are a lot of other avenues involved in getting your work out there, I’ve been focusing on some of those, including:

-got some great feedback on query letters, so revised one (along with updating a few lists of potential recipients – always works in progress) and sent a few out.

-submitting some pitches, and just about every one asks for a synopsis. Working on these tends to usually involve me putting in too much story info, then turning around and drastically editing it and shrinking it down to fit on one page. Despite how important this is, I’ve always disliked it.

-jotting down ideas for other scripts. While a nice reminder that I have these waiting in the wings, it’s also quite pleasant to take a look at stuff I haven’t seen in a while. Some are still in the development stage, and others are older scripts due for a massive overhaul.

-the maintenance and upkeep of connections with other writers and creatives. Like with the scripts, some are from the past, and some are brand new. Can’t go wrong with keeping your network healthy.

-reading scripts and watching movies. True, not necessarily writing, but definitely affiliated with it. It’s especially gratifying when the script comes from a writer who knows what they’re doing. As for the movies, that’s been a mix of the popular (Wakanda forever) and the Oscar nominees.

The point of all of this is that there’s much more to building a career in screenwriting than just writing scripts; it involves writing of all sorts for many other things. While I already dedicate a good portion of my available time to working on scripts, I also realize and accept that these other things are in just as much need of my attention.

And an added bonus – many of these things are not one time only. They’ll be done again and again, so the more I do them now, the easier they’ll be to do when the need arises.

Except for the one-pagers. I’ll always struggle with those.

Looking back, glimpsing ahead, and a minor adjustment

new year's eve
Just one more glass of champagne, then it’s back to work. Promise.

As 2017 wraps up, it’s only natural to engage in a little self-evaluation.

How many of your writing goals were you able to check off this year? Most of them? Some? A small-but-decent fraction? Hopefully you don’t need to mark the box labeled “None”.

One of mine was to complete at least three scripts. I managed two drafts, a revised outline, and one and a half rewrite/polishes (one still a WIP). Pretty solid results. A very hearty thanks to everybody who devoted the time and effort to give me notes. I hope my notes for yours were just as helpful.

Using those notes and the results of a few conversations, I think I’ve been able to up the quality of my writing a few notches. It still has a few levels to go, but it definitely seems better than it was. The next round of drafts should be really interesting,  both in terms of working on them and how the end results turn out.

I wanted to read more scripts, which actually happened, but not entirely in the way I expected. I didn’t do as much reading of scripts for the purpose of entertainment or gleaning some helpful guidance because I ended up reading over 100 scripts for several contests. Don’t know if I’ll do it again, but still glad I did it.

On the gaining representation front, lots of query emails were sent. Maybe one response out of ten expressed interest in reading the script, with each ending with a “thanks but no thanks” or “just not what I’m looking for”. A bit disappointing, but not totally unexpected. Along the way, I also worked on being more strategic about the process, researching potential recipients and re-drafting the query to (in theory) really sell the concept of the script.

And what would an ambitious screenwriter’s year be without contests? My western made it to the seminfinals of a few smaller contests and the top 20 percent for the Nicholl (not too shabby), but once again whiffed it for PAGE. I’ve become somewhat disillusioned regarding contests, so will most likely really cut back on them. Maybe just stick to the big three.

There was the most pleasant experience of going to Los Angeles to attend a table read for one of my scripts. I like the idea of doing one or two of them locally, so looking into that for 2018.

I hosted two screenwriting networking events, which connected me with some very talented writers from right here in the Bay Area. Definitely plan on doing that again at least once this year. Highly recommended, especially if you’re not in Los Angeles and want to expand your own personal network.

On the half-marathon front, I ran five races this year – the most ever in one year for me. Still averaging about two hours, which isn’t bad – for me, but the quest for 1:55 continues. Already signed up for three next year, with maybe one or two more expected to be added into the mix. Like with screenwriting, improvement takes time, effort and dedication. A good pair of socks and strong knees also come in handy, and that applies to both.

Finally, this blog. As always, a great experience doing what I can to offer advice to help other writers, recounting my experiences and the lessons I got out of it, and presenting some interviews with some truly interesting and amazing creative folks. I am truly grateful to everybody who’s stopped by to take a look, like a post and make a comment.

But it’s also been exhausting. Producing posts twice a week on top of dedicating time to write and make a career out of it has simply gotten to be too much. I still enjoy doing the blog, but want to refocus my energies. So as of January 1st, I’ll be reducing my weekly output to Fridays only, and sometimes even that might be iffy. It’ll most likely be on a week-by-week basis.

I hope you had a most productive 2017 and wish you all the best for an even better 2018.

See you in seven.

I’m here, but need to be up there

mountain climber
Onward and upward! (snappy hat optional)

I’ve been writing screenplays for quite a number of years, but only in the past, say five to six have I shown some significant improvement.

More than a few readers who’ve read my last three scripts have commented that each one displays a step up in quality a compared to its predecessor. Which is very nice to hear.

Feeling pretty confident in my skills and material, I submitted some of them to a few of the high-profile contests (or at least the ones that really matter). The results were less than encouraging. Don’t get me wrong. Top 15 percent in the Nicholl is nice, but it’s still falling short of expectations.

You can have the most incredible script you’ve ever written, enter it in a contest, and chances are it might still go nowhere. Contests are just one way in.

But I digress.

I figured there was nothing more that could be done with the scripts, so I might as well file them away and move on, using them for occasional query letters.

However.

While my scripts may not be similar to those that win contests (can you imagine me writing a coming-of-age story set in 70s Reno?), they’re still fun, entertaining reads, and my passion and enthusiasm for them continue to burn strong and bright.

Like with my writing skills, they’re good, but can still be better.

That’s why I’ve decided to do what I can to make that actually happen. I’ve already gotten several sets of notes on some of my scripts, and most mention the same issues, along with some potential fixes.

As always, I have the luxury of picking and choosing which suggestions to implement, and I sincerely hope the end result is a collection of scripts of decidedly higher quality.

It’s been quite an effort for me to get my writing to get to the level it is now, and spending a little more time on trying to make it better will be definitely worth the effort.

A few treats, but no tricks

Halloween candy
…and all the peanut butter cups you can eat

Halloween shorty today due to yet-again busy times around Maximum Z HQ.

Among the highlights:

-Finished the initial overhaul for the outline of the comedy spec. The story is still kind of/sort of the same, but still significantly different than what it was. There’s still some tweaking to be done, but I’m really liking how it turned out.

-Got some notes back on a few of my scripts. For the most part, they’re pretty positive with some good suggestions, but there were also a couple of comments that made me question if my writing abilities are where they need to be. Maybe to a certain extent, but as it was pointed out to me, those comments are from one person, and one person’s opinion is not the final say. That’s something I really need to keep in mind.

-More writers asking me to do notes or engage in a script swap. Some new, some returning for more. Guess my analysis skills are improving. Happy to help when I can, but don’t expect a fast turnaround.

-A slow but steady output of query letters continues, with a handful of “send it” responses. Not a bad percentage so far. Not relying on any of them, but always maintaining a positive & hopeful attitude. Send it, forget it, on to the next one.

Thus the journey to being a working writer continues…

Gosh, what a full plate!

primanti bros
It’ll take time, but feeling confident I’ll accomplish that which I set out to do. (In the meantime, anybody up for Primanti Brothers? (Pittsburgh shout-out!))

My projects over the next couple of months are shaping up nicely.

-Finish overhauling the outline for the comedy spec and convert it into pages

-Some more fine-tuning on the pulp sci-fi (courtesy of a steady influx of good notes)

-Maybe one more pass on the western. Yeah, I know. But I recently got some keen insight on a few parts which could do with a little improvement.

The potential is still strong for all three, both in terms of contests and queries.

I have to say that this time around, my analytical and editing/proofreading abilities feel a bit stronger. Not that they’re the pinnacle of perfection, but at least slightly more developed than, say, a few years ago. That’s a definite plus. Nor would I hesitate to take full advantage of the sage advice of my squadron of savvy readers.

I feel a bit more prepared now, as well as a little more confident about ending up with a triad of really solid scripts.

That’s the hope, anyway.

Another part of my enthusiasm comes from seeing the results of some of the major screenwriting contests, some of which I entered and didn’t fare as well as I’d hoped. I’ll work on these scripts, send ’em out and hope for the best.

On a brief side note, I recently read the comment on an online forum – “Waiting for notes. What should I do to occupy my time?”

I suggested “Start working on your next project.” It’s what I would do. Can’t think of a better way to get your mind off a finished script than starting a new one or digging into the archives and touching up an older one. Gets the creativeness pumped up and really does help pass the time.

Anything that lets you flex your writing muscles while adding to your arsenal of material can only be seen as a good thing.