What’s in your peritia scripturae*?

mailroom
This is just the resume pile. You should see the submitted spec script room.

An acquaintance recently told me about a small production company seeking material, and they (the acquaintance) thought one of my scripts might be a good match for it.

“Great!” I responded. “What do they need?”

“Your synopsis (with a logline), along with your writing resume. If they like what they see, they’ll ask for the script.”

Hold on one second. I had the synopsis, but a writing resume? Never heard of that before, let alone including it with the script material. Did such a thing even exist? What would it even look like? Was this some new trend of which I was unaware?

Apparently they do exist, but based on my experience and research, it sounds like being asked to provide one happens very, very rarely.

You’re probably thinking “Couldn’t they just look you up on IMDB Pro?” They could, but that doesn’t contain all my relevant details and information.

But this place wanted a resume, so I had to put one together. What to put on it?

I looked up what I could for “writer’s resume”, but got a lot of non-screenwriting-related information and examples. This resulted in a lot of tinkering around and adapting the best I could.

It all boils down to listing all of your screenwriting and screenwriting-related experience, along with any applicable accomplishments. Many writers with a personal website or blog have a page featuring some kind of version of it.

I wasn’t a produced writer, except for a writing credit on somebody else’s film school short, so I could mention that. Plus some material I’d written and filmed years ago as part of a freelance assignment which at last check was still available on YouTube.

Some of my scripts have won awards in reputable competitions. I listed the titles and their assorted results.

I included being a reader for a few screenwriting contests. (True!)

Oh yeah. THIS BLOG. Been going strong for years, plus a few accolades along the way. This triggered the realization that I could use some other screenwriting-related materials I’d written.

Turns out I had a somewhat decent amount of material to work with.

A little editing and revising, and off it went, along with the one-pager.

Unfortunately, the prodco passed. Not because of my lack of experience, but the script “just wasn’t what they were looking for.” No big surprise and no big deal.

But now I have a writer’s resume, which I keep updated. Chances are nobody’ll ever ask for it again, but I’m glad I put it together and have it ready to go. Just in case. Stranger things have happened.

There’s no doubt that some follow-up thoughts and comments to this will be of a “this is the most ridiculous thing I’ve ever heard” nature. And in some ways, I totally agree. But I chalk it up to just adding another tool to your arsenal of self-marketing materials. It took all of 15-20 minutes to put it together, so no harm done.

Normally, this would be the end of the post, but part of the reason I wrote about this is there are always writers on assorted online forums seeking feedback from other writers, and they get a lot of volunteers eager to offer up their two cents.

While it’s great that somebody’s so willing to help you out, what if their level of experience isn’t similar to yours? What if you’ve written ten scripts, and they’ve written two? Or still working on their first one? How much value would you give their notes?

It’s not a bad thing to ask somebody about their writing experience. It’s also not the best idea to ask a bunch of strangers to give you notes. You’re much better off building and developing strong professional relationships. Most seasoned writers don’t seem to have a problem discussing their experience.

So the next time somebody you’re not too familiar with says they’d be more than happy to give you notes on your script, don’t feel bad asking them how much experience they’ve had.

Or you could even ask to see their writing resume.

*Latin for “writing experience”.

No small feat using another medium to be a writer-at-large

HG Wells
The man responsible for tales of time travel, alien invasions, and assorted mad scientists, just to name a few…

After a gap of several years, I recently had the opportunity to reconnect in person with a respected colleague who has had more than their fair share of experience dealing with writers of all shapes, sizes, and levels of talent.

This person used to deal a lot with screenwriters, but now deals primarily with writers of manuscripts. Over the course of our conversation, I was asked about my scripts and my writing (What do I like to write? What genres are the scripts I have now? What kind of stories am I working on?)

As has been documented here before, my genre of choice is definitely adventure, along with hyphens connecting them to other genres (i.e. western-adventure, pulp sci-fi adventure, etc).

I gave a quick thumbnail sketch/five-second elevator pitch for the two completed and the one currently in revision mode.

You’d be harder pressed to find a stronger advocate for using your already-existing material as a springboard to jump into other mediums – primarily books and/or graphic novels.

It was their opinion that all three sounded like very original and fun ideas, which would make each a prime candidate for attracting attention. And this person has also been following the blog for quite a while, so their opinion is also that my writing is pretty solid. They cited examples of writers they knew who’d foregone the traditional route of trying to get in with one of the high-profile publishing houses and done it all themselves, each achieving respectable levels of success. Nothing to break the bank, but still some impressive numbers.

“A script is more or less an outline for a novel. And even though you’re not limited by page numbers, it still takes talent to create a novel,” I was told. “Your stories are original and unique, which makes them prime candidates for this. At least think about it.”

Believe me, I am.

My success in trying to get these scripts through to reps and production companies has been practically non-existent at best, yet I persist. I’m sure I’ll continue along that avenue, but this new alternative is definitely food for thought.

I’ve been told by more than a few people that my writing is very visual (which you would think would make it ideal for film), and that it really moves. In the past, I’ve entertained and even at times partially investigated the notion of applying my scripts to a graphic novel format (a great match), but am also not averse to trying my hand at converting it to pure prose.

I’ve no intention of stopping writing scripts. I like it too much. But I also like the pure act of writing by itself, so for the time being, all this talk about working in other formats is nothing more than speculation and conjecture.

But in some ways, still worth considering.

The (much) tougher part

ali hit
99% of the time, you’re George Foreman

In this week’s previous post, I wrote about the necessity of how a writer needs to enjoy the actual writing part of being a writer.

A few colleagues piped in, saying while that part of it holds true, they also find the business aspect (i.e. the marketing of YOU) to be significantly harder and much more challenging. Taking it one step further, lack of progress on that front adds to their frustration.

I can’t argue with any of that. I’ve experienced it firsthand many times.

Friend of the blog Phil Hardy had this to say:

“…this should resonate with most of us that are doing the same thing as you are. However, one of the keys in trying to be a successful writer is spending a fair amount of time crafting query letters, answering ads or attempting to make contact with industry people anyway you can. Many writers fall flat in this area. One should definitely spend as much time as they can trying to promote and sell their work, as well as taking joy in the act of writing it.”

Simply put, marketing and promoting oneself is a necessary evil that a writer has to be willing to undergo and endure as many times as it takes if they want to succeed. Sucks, but it’s the truth.

After working on a couple of scripts and building up my arsenal of materal, I’ve decided to take the plunge again.

I’ve put together what I consider to be a pretty effective new draft of the query letter. Gone through the list of managers, agents and production companies, researching who might a good match for each script.

A few queries have been sent, so the waiting and hoping for a positive response begins yet again. All the while, working on more scripts. It’s all I can do.

My efforts to improve my networking skills have also paid off. Every once in a while, a colleague will send me a listing that seems tailor-made for one of my scripts. Even though none of them have worked out, it’s made me aware of more opportunities than I would have been able to find on my own.

We all know this is not an easy path. It’s extremely tough and really puts your endurance to the test. The question you have to continually ask yourself is “Am I willing to keep working at this until I get the results I want, no matter how long it takes, how frustrated I get, or how impossible it seems?”

I can only speak for myself.

Yep.

-You might find these older posts somewhat relevant and worth a read.

The me businsess – a 24/7 operation

A support staff of one

Looking back, planning ahead

champagne-toast
Auld Lang Syne and all that

Well, 2016 is pretty much in the books. I hope it was a good year for you, writing-wise.

Mine was okay.

Among the more noteworthy events:

-I completed the first draft for 3 separate scripts. 2 comedies, 1 sci-fi.

-One of those comedies was written, edited and rewritten/revised over 10 days.

-My western made it to the top 15 percent in the Nicholl and was one of the top 100 in the Emerging Screenwriters competition, but did not advance with PAGE or Austin.

-Several read requests from managers and production companies. Unfortunately, everybody passed with the commonly-used “Just not what I’m looking for.”

-Built up my network of talented writers located all over the world, along with numerous getting-to-know-you in-person chats with those in the immediate geographic vicinity.

-Organized and hosted a very successful and enjoyable networking event for screenwriters. In a deli. A block from the Pacific Ocean.

-Took part in script swaps for somewhere in the neighborhood of 15 scripts.

Not a bad compilation.

As for 2017, the usual objectives:

-Along with the aforementioned rewrites, complete the first draft for at least 2 or 3 new scripts.

-Continue the quest for representation. Already a few potentials on the horizon.

-Based on how my western did in the Big 3 contests, I’m torn between seeking professional feedback for one more polish, or just leaving it as is and trying again next year.

-Continue providing notes and doing script swaps.

-Look into hosting another networking event, probably at a bigger venue.

-More networking and establishing connections with more talented writers.

-More getting-to-know-you in-person chats.

-Watch more movies.

-Read more scripts

-Stay confident. Be patient. Not lose hope, even on the shittiest of days.

-Keep trying to make this work. Eyes on the prize.

And a final note to all you loyal readers – thanks for coming along on this rollercoaster ride of a journey. I hope you’ve enjoyed reading about it as much as I’ve enjoyed writing about it.

All the best from me to you for a very happy and successful 2017. Fingers remain, as always, firmly crossed that this is The Year It Happens.

It’s that time again!

New York Author Honored at Cocktail Party
Sparkling wit, bon mots & smart turns of phrase are right at home here

Another three months has passed, making it a more than fitting opportunity to check in with all of you hard-working writers to find out exactly how that writing is going.

That’s right, gang. Put on your public-speaking pants (online edition) and step up to take part in the world-renowned Project Status Update Time!

(insert triumphant fanfare here)

It’s a fairly simple process. In the comments section below, feel free to share with the rest of us what’s new with you and your writing.

Page count. Logline development. Contact with a prodco or rep. Pre-production on a short. Any and all updates are welcome.

As is the tradition, I’ll start things off:

I’ll still give it one more read-through, but I wrapped up the rewrite/polish on the comedy spec. It’s more of a dramedy now, but still quite a charming little story.

I’m also in the process of giving notes on some friends’ scripts, and once all of those are done, it’s onto a pair of new projects. Exciting times, indeed.

How about you?