Last time the subject was how we did, writing-wise, during 2017. Today, it goes beyond simply what you’re hoping to accomplish to “So what are you doing about it?”
Just a few days into the new year, and how much writing have you done? Are you adhering to the guidelines you set up for yourself? Making the most out of the time you have available? Are you saying to yourself “No more Youtube! No more (insert preferred form of social media here)! I got me some writing to do!”, followed by actually turning off that unwanted source of input and applying proverbial pen to digital paper?
Jeez, I sure hope so.
Repeat the process on as close to a daily basis as you can get, and you might be pleasantly surprised at the results. You might have more time to work with during the day than you realize, so why not make the most of it?
Long-term goals are all fine and dandy, but continuously crossing the finish line for smaller (and some might say more realistic) ones can also yield some solid results. It’s one thing to say “I’m going to write four scripts this year!” and another to say “I’m going to write three pages today!”, and you’d have to admit the second one is just a little bit more achievable.
Additionally, if you stick to that schedule and maintain the same kind of daily output, you could potentially hit at least some of your long-term goals a little sooner. Write three to four pages a day every day, and within a matter of weeks (or maybe a little more than a month), you’re the proud parent of a completed draft. Sure, it might need a lot of work, but the important thing to remember here is : YOU DID IT.
As 2017 wound down, I knew what I wanted to happen for me, writing and career-wise, in 2018. Now that we’re almost a whole week in, I’ve been making an effort to try and get something done on both fronts every day.
For the writing, it’s anything and everything, running the gamut between outlining, rewriting, editing, proofreading, or even just jotting down an idea for a scene in the under-construction outline for a story I haven’t looked at since April. Working with some very quality notes for two scripts, I’m actually ahead of schedule with rewriting one, and gearing up to dive into the second when that’s done.
For the career, it’s about finding more avenues to get myself and my scripts out there. I’m not just pitching stories; I’m pitching a storyteller as a potentially invaluable resource. There will be plenty of “no”s along the way, but all it takes is that one “yes”, right?
And once again, let’s tout the benefits of networking; making and maintaining your connections. You never know which one could lead to something.
While I’m still doing some of the things I’ve always done, there was also that feeling that new and different approaches were necessary. So as I work my way through all the assorted processes involved with writing scripts, I’m also navigating the awkward transitional phase of a few readjustments.
No matter what, the end goal remains the same. As always, fingers remain firmly crossed that this is the year it happens.
Among the sizable slew of ongoing projects of which I’m currently undertaking, finishing the edit/polish/rewrite of the pulp sci-fi spec was pretty high up near the top of the list.
Mostly because it was something I felt I absolutely had to do; sort of a “get it out of my system” thing.
And for now, it is. Finished. At least until the next sets of notes come in and the whole process starts all over again. No big deal. Par for the course.
Overall, I like how it turned out. As has been the case before, it was also simply just fun to write. That helped. And some of my readers from the previous draft were quite enthusiastic about what a fun read it is. That also helped.
Even though the story’s pretty much set in place, every once in a while inspiration would strike, or a suggestion would be made, and I’d come up with a way to potentially improve a particular moment, scene or sequence.
So off it goes to some very savvy readers, and my attention redirects to the much-interrupted overhaul of one of my low-budget comedies, which has been a sizable challenge on its own.
Creating amazing tales of thrills, excitement, and heart-pounding fantastic-ness? No problem. Trying to craft a smart, funny story? A challenge, to say the least.
Writers James Moorer and Ann Kimbrough have teamed up to promote the Be Epic Journal, a guide to helping you set up goals and figure out what steps you need to take to achieve them.
Tell us a little about your writing backgrounds. How’d you get started? Apart from the Be Epic Journal, what else are you currently working on?
James Moorer (JM): I am a multi-optioned screenwriter and published author with several properties in various stages of development. I’ve been hired for numerous writing assignments since 2009 for a number of production companies. I got started writing for the screen while producing music for fitness competitors and bodybuilders under my company Jamesong Music, back in Ohio. I’ve always wanted to be a writer since I first read a Truman Capote story in Esquire magazine. Currently, I have two other novels in development as well as my two shorts I’m producing and a feature film which will be my directorial debut.
Ann Kimbrough (AK): I’m a working screenwriter, with my first paid gig in 2012. I currently have three films in different stages of development and do rewrite assignments on the side. As anyone on the screenwriting path knows, we have little control over the production side. I wanted to take on more control in some aspect of my writing, so between writing assignments I branched into books. First, I turned one of my spec scripts into a romantic suspense novel that was published with Short On Time Books, “Scarlet Revenge” under pen name Ann McGinnis. That gave me the publishing bug and I started to publish my own books. The first journal I did — “The 100 Script Challenge” — was to create a book I wanted but could not find. (It’s about reading 100 scripts, keeping your notes in the journal and having all you learned from reading the scripts handy to review.) Then I made “The Idea Journal for Screenwriters.” It’s another journal I wanted as a screenwriter. I don’t know about you, but I write little notes everywhere with story ideas. The journal keeps me from losing them by having them all in the book. I can then look over my notes, connect them with other little ideas and build them into high concepts. (It’s also full of idea building tips.) From there, I teamed with other creative friends like James Moorer to create fun and useful journals — like “The Be Epic Journal.” Presently, I have eight journals published.
What does it mean to “Be Epic”?
JM: To Be epic, to me, is to step into your TRUE SELF, completely and confidently aware of your God-given ability to become your greatest self, realizing that this is not a happenstance, but how you and you alone were given a specific gift to help move the world toward being a more incredible place, and to inspire others to do the same.
AK: Being Epic is being the best you. It’s cutting out anything that’s holding you back from your dreams and shining! The best part of the whole Be Epic movement that James started is how focusing on our dreams and making our life better eventually leads to making someone else’s life better. But it has to start within you.
What was the inspiration for the Be Epic Journal?
JM: For me, it has always been a way of combating the negativity, fear and doubt in my own life. When I began to realize that I had fallen into a self-fulfilling spiral, I recognized it was my own words and beliefs about myself that lead me there. But it would also take changing my beliefs and speaking to what I wanted to be was how I truly came to discover who I was inside. That lead me to understand this was bigger than one person. This truth was universal.
AK: James is the spark! I have enjoyed his Facebook posts about Being Epic for a long time. They really lifted me up, but then he didn’t post as many. I asked him about it and pretty much told him to get back to posting. (I’m certain I wasn’t the only one.) I also said it would make a great journal! Luckily, James agreed.
How does the Be Epic Journal work? What should a writer who uses it expect?
JM: The Journal works like a PLAYBOOK, helping the writer recognize and engage in daily practices that they can build upon in creating a confident approach not only to their work, but to their life overall. They set a single targeted goal and the steps by which they will accomplish them. The beautiful part is that there are no right or wrongs as everyone is unique, but the daily diligence leads them to greater performance, greater awareness of their own ability and destroying the doubts and fears before they take root. The reason it works is because these are steps that THEY THEMSELVES have created, so these steps have greater meaning to each writer, deeper significance, and opens their thinking to being even more creative.
AK: The Be Epic Journal is a 3-week process, and a writer should expect to pick a goal that can be accomplished in three weeks. So, it’s not about curing cancer. It’s about engaging in a goal you’ve probably had hanging around for awhile. For a writer that could be completing a book or screenplay. The 3-week process helps anyone breakdown their goal into three steps and work on one step each week, plus taking time to evaluate what’s working and what isn’t. It can be done around your normal schedule. It’s full of motivation from James and is very much a workbook to reach a specific goal. It’s set up to do one goal and then move onto another. The journal also includes a free 16-page download code for more instructions and goal setting tips. Soon — we will have a Kindle book that will be a great companion piece to the journal.
Is the Be Epic Journal specifically for writers, or can anybody use it?
JM: We created this journal for everyone. Writers are a community Ann and I are very familiar with, but the same lessons learned here can be applied to any aspect of life, any career, anyone who desires to embrace their most powerful self. The Journal is also meant to be a stepping stone; the first step in anyone’s Epic Journey.
AK: Anyone can use it. We are currently running a test group on Facebook for the journal, and while all of our participants are writers, half of them did not pick writer kind of goals. One person is cutting out sugar — yikes! But she’s doing it! Others are working on completing half-finished writing projects.
How can somebody get their hands on a Be Epic Journal?
JM: Amazon is our friend!!! They can order the journal here. We also have a 16 page pdf to give people an idea of what the program looks like for free.
AK: Thanks for asking! It’s on Amazon and if they’d like to know more about the whole process they can get the free 16-page download now. It also puts them on our email list, but we promise to only send out useful stuff — like when the Kindle is released and motivational infographics. The link to the 16-page download is
Readers of the blog are more than familiar with my love/appreciation of pie. What’s your favorite kind?
JM: Given my choice, I fancy a Peach Cobbler. But as you know, my love for pancakes has me searching for that perfect union of Cobbler and Pancakes. Just never ask me to choose between the two.
AK: My favorite pie is apple. But it has to be the one I make, which is from Trisha Yearwood’s recipe. Google it. You make it in a cast iron frying pan in your oven and it’s worth every calorie! Yum. Dang. Now, I’ve got to go make one.
Now that we’re well into the second half of the year, I’ve been working on scheduling out how I’d like the time between now and December 31st to be filled up, both writing and career development-wise.
As you’d imagine, there’s a lot of writing involved. Finishing the rewrite of one script, polishing another, cranking out a first draft of yet another. I’ve done what I can to establish realistic and achievable deadlines – no more writing marathons for me.
Add to that the efforts to network and meet with other writers, both in-person and online, along with pursuing viable avenues to get the work out there, such as query letters and contests.
One important part of all of this is that, for the most part, I’m the one overseeing all of this. Nothing will get done or happen if I don’t make the effort. As for the things I have no control over, especially the career-oriented ones, I’ll do what I can to get the ball rolling and see what develops.
A friend saw my list of objectives and said “Good idea. Plan to succeed.”
Part of this stems from exactly that. I’m working at this so I can succeed. Being organized about what you want to accomplish helps you stay focused on getting closer to actually achieving it.
While you’re working on your script, you should always be asking yourself “How can I make this better?” Well, this also applies to working on getting a career going. How can you make it better?
–Keep writing. Your skills will improve and your number of completed projects will increase.
–Seek out connections. The internet is your greatest tool for networking with other writers and folks within the industry. Very important – be nice.
–Do your homework. Find out the necessary details as they apply to you and what you’re trying to accomplish. Whether it’s the best format for a query, if somebody’s contact info is still accurate, or which contest is a good match for your script.
–Commit. You know all the things you need to do and want to do. Now dedicate yourself to doing them.
All of this may seem somewhat overwhelming at first, but get in the habit of making it a daily effort – even just a little at a time – and the results will start to take shape.
The results are in for my standing in two highly-ranked screenwriting contests, and at best could probably be considered partially encouraging.
As mentioned previously in this space, my western did not advance to the quarterfinals of the PAGE International competition. That was somewhat disappointing.
Earlier this week, I’d been informed that it made the top 15 percent for the Nicholl, and was also not advancing to the quarterfinals. This ranking ties a previous personal best. Not bad, but again, slightly disappointing.
As it would probably be for most, my initial reaction to both of these announcements, especially the former, was “Well, I’m just a shitty writer, aren’t I?”
Apparently, not necessarily.
After I’d announced my contest results, I heard from a lot of fellow writers, including comments about the quality (or lack thereof) of the scripts that advance, the quality (or lack thereof) of the readers, but the most-repeated one was:
“It’s all subjective.”
Very true. We produce what we believe to be the absolute best script we can, and either someone’s going to like it, or they’re not. And there’s nothing we can do about it.
If you were also among those of us whose scripts didn’t advance, take heart. It ain’t the end of the world (although it may feel that way). Use this as a learning experience and work on improving your script so it’s ready for next year. Get notes on it. Rewrite. Polish. Whatever you think is necessary.
It’s also important to keep in mind that these contests are not the be-all and end-all. Winning them or placing high doesn’t guarantee a career. Sure, a handful of past finalists are working writers or consultants, but they appear to be the exceptions.
Just to put things in perspective, a friend of mine was a recent Nicholl finalist and says it had zero impact on their career, and still struggle to get their material read.
In all honesty, the sheen of contests is starting to wear a bit thin for me. I’ll probably still enter the western again next year, along with two other scripts I’m hoping to complete, but I’d rather focus on getting my material sold or produced, or at least using my scripts as strong calling cards and writing samples to get assignment work. I’m not picky. Whatever it takes.
There are a lot of ways to break in and become a working writer. Contests are one, but definitely not the only one.