Pause. Refresh.

vintage date
We’ll get back to working on the script as soon as we’re done. Promise.

After having taken a longer-than-expected break from working on the comedy spec, I’m back at it now.

There were the occasional glimpses and minor touch-ups here and there, but I’d estimate it’s been at least several weeks, if not a little more than a month since I was really able to fully focus on it.

During that time (while working on another script), I kept thinking “what if I can’t think of anything new for this?” I also made a point of not looking at the previous draft of the outline; I didn’t want to unintentionally influence the new one.

But the moment of truth had arrived. The other script was done, or at least as much as it was going to be for the time being, and there was no more delaying the inevitable. I had to confront this monster head-on.

Having avoided looking at the previous draft for a while, some of the details were still there, albeit a little fuzzy. Somehow this enabled me to not automatically revert to thinking they were my only option. Instead, I took those details with the thought of “this is what could happen, but what would be a new and really different way of doing it?”

Applying that thought process, along with not feeling tied down to what it was before has really allowed me to come up with some entirely new ideas and approaches, many of which I would have never even contemplated before. Like chunks of an iceberg, elements of the previous draft are breaking off and drifting away, never to be seen again.

The core concept of the story remains intact, but more and more of how that story takes place are experiencing major changes. As of this writing, it’s somewhere past the halfway mark. As is usually the case for me, some elements that still need work, but a new and pretty solid and foundation is being laid.

Would I have been able to come up with any of this if I had dove right back in after finishing the previous draft? Highly doubtful. The material was still fresh in my mind, so it would have been significantly less likely for me to be able to not automatically go to it.

Taking this break, along with focusing on another project, especially one entirely different in genre, provided me with the opportunity to jump back into this one with a strong sense of revived creativeness. Even though it was still a bit on the daunting side, I came into it with a “You got this” attitude.

It also helped that I wasn’t being so hard on myself for not having every line be pure gold the first time out. This is still a work in progress, so everything remains in an ongoing state of flux.

For now, it’s coming along nicely, and forward progress is holding steady. As much as I would love for that to continue all the way to the end, I’m also a realist, so enjoying every productive day as they come.

I’d always heard the recommendation that after you finish a script, you should put it away, or at least not look at it for at least two weeks. That’s not a bad start, but I’d say a month might be better. That way you can give yourself the choice of going back and looking at what you’ve already done (which can be quite eye-opening in both good and not-so-good ways), or starting anew.

Now that I’ve done both, I can honestly say that both have proven equally effective in their respective ways, and I strongly suspect I’ll continue to go back and forth for future drafts of this as well as future scripts.

Gosh, what a full plate!

primanti bros
It’ll take time, but feeling confident I’ll accomplish that which I set out to do. (In the meantime, anybody up for Primanti Brothers? (Pittsburgh shout-out!))

My projects over the next couple of months are shaping up nicely.

-Finish overhauling the outline for the comedy spec and convert it into pages

-Some more fine-tuning on the pulp sci-fi (courtesy of a steady influx of good notes)

-Maybe one more pass on the western. Yeah, I know. But I recently got some keen insight on a few parts which could do with a little improvement.

The potential is still strong for all three, both in terms of contests and queries.

I have to say that this time around, my analytical and editing/proofreading abilities feel a bit stronger. Not that they’re the pinnacle of perfection, but at least slightly more developed than, say, a few years ago. That’s a definite plus. Nor would I hesitate to take full advantage of the sage advice of my squadron of savvy readers.

I feel a bit more prepared now, as well as a little more confident about ending up with a triad of really solid scripts.

That’s the hope, anyway.

Another part of my enthusiasm comes from seeing the results of some of the major screenwriting contests, some of which I entered and didn’t fare as well as I’d hoped. I’ll work on these scripts, send ’em out and hope for the best.

On a brief side note, I recently read the comment on an online forum – “Waiting for notes. What should I do to occupy my time?”

I suggested “Start working on your next project.” It’s what I would do. Can’t think of a better way to get your mind off a finished script than starting a new one or digging into the archives and touching up an older one. Gets the creativeness pumped up and really does help pass the time.

Anything that lets you flex your writing muscles while adding to your arsenal of material can only be seen as a good thing.

At least 11 choice “re-” words

teacher
No, class. “Relapse” is not one of them.

Progress on the latest draft of the comedy spec is coming along. Slowly, but still coming along.

Among the highlights:

repairing the script. Previous drafts had some notable and sizable problems on several fronts, so this is all about fixing them, or at least figuring stuff out to make it better overall. This is the main priority.

revising the story. Some of the scenes still work. The ones that don’t are out, with variations and totally new ones being developed and considered. A work in progress is a beautiful thing.

reviving older ideas. I keep all the notes and items jotted down over the course of working out the story, so there’s always a few items worthy of dusting off. This time around is no exception.

reorganizing the tone. Notes on a previous draft stated how uneven the story felt; like it was a few opposing ideas competing for attention. Currently working on streamlining things to make it all mesh better.

refurbishing characters and/or their traits. From the protagonist and antagonist to supporting characters to those appearing in one scene, everybody gets some kind of modification. Some big, some not-so-big.

reinvigorating the jokes. With comedy already being a subjective topic, I’m trying to come up with stuff I think is funny. Influences abound, and I want my sense of humor to be what runs that particular engine.

remaining calm. Finishing this draft won’t happen overnight, and trying to force creativeness or rush progress is the absolute wrong approach. Preferred method – taking it one step at a time.

resuscitating self-confidence. Writing a comedy’s tough enough to begin with. I’ve done it before, and despite a few missteps along the way, feel pretty solid about my chances this time around.

relinquishing the self-imposed pressure. Naturally, I want to have a good, solid script when I’m done (hopefully it won’t take many more drafts). Stressing about getting to that point won’t do me any good, which leads to the final point…

relaxing and recharging the writer. A good portion of my available time is spent writing or at least thinking about it. Working on it too much runs the risk of burnout, which would be completely counterproductive. Therefore, I allow myself time to simply step away and do something totally non-writing-oriented.

And when the time is right, I return to the rewrite.

Whew! Took me a while to refine this, but I don’t recall being so resplendently relieved to be done. Even better, none of it had to be redacted.

One curtain falls, another rises

stage
Don’t go far, folks. Next show is on the way!

Among the sizable slew of ongoing projects of which I’m currently undertaking, finishing the edit/polish/rewrite of the pulp sci-fi spec was pretty high up near the top of the list.

Mostly because it was something I felt I absolutely had to do; sort of a “get it out of my system” thing.

And for now, it is. Finished. At least until the next sets of notes come in and the whole process starts all over again. No big deal. Par for the course.

Overall, I like how it turned out. As has been the case before, it was also simply just fun to write. That helped. And some of my readers from the previous draft were quite enthusiastic about what a fun read it is. That also helped.

Even though the story’s pretty much set in place, every once in a while inspiration would strike, or a suggestion would be made, and I’d come up with a way to potentially improve a particular moment, scene or sequence.

So off it goes to some very savvy readers, and my attention redirects to the much-interrupted overhaul of one of my low-budget comedies, which has been a sizable challenge on its own.

Creating amazing tales of thrills, excitement, and heart-pounding fantastic-ness? No problem. Trying to craft a smart, funny story? A challenge, to say the least.

Then again, I do loves me a good challenge.

Just the tune-up it needs

eastwood engine
Clint knows what needs to be fixed

The latest batch of notes on the pulp sci-fi spec have been analyzed, some even incorporated, resulting in the latest draft.

Thing is, something still seemed a little off about it. But after having spent a good chunk of time on it, I opted to give myself a little break and skip jumping right back in, and instead put it aside to simmer while I focused on a few other projects.

A couple of weeks have passed since then. The time felt right. I opened it up and simply started reading in the hope that maybe the solution would simply present itself along the way.

A lot of it still held up. It’s still a fun, fast-paced action-packed story.

But what really stood out this time was how there was a lot of unnecessary text on the page. It wasn’t a matter of overwriting; more of a “maybe a little more than you actually needed.”

I went back to page one and started editing, line by line. A word here, a phrase there. More and more of my darlings were being lovingly obliterated from existence, creating a somewhat tighter story that didn’t sacrifice any momentum (so far).

Some of the notes also mentioned the occasional lack of information in terms of backstory. I occasionally have the habit of thinking I’ve included an important detail or at least allude to it, when it reality – nope.

Using this fine-tooth comb approach has also enabled me to identify and plug up holes in the plot. Sometimes I might stumble onto a minor issue I didn’t even realize was or wasn’t in there, and am able to take care of it. Again – tighter and continued momentum.

This draft continues to progress nicely, and I’m hoping to wrap it up soon – but still making a point of taking my time and thinking my way to each solution.

-I’ll be running the first half of the San Francisco Marathon this weekend. While a time of 1:55 would be great, as long as I beat the 2-hour mark, I’ll be fine.

-If you’re a screenwriter in the San Francisco Bay Area or northern California region, and want to meet other screenwriters, the NorCal Screenwriters’ Networking Shindig on Sunday, July 30th, might be just what you need. 2-4pm at Kawika’s Ocean Beach Deli (734 La Playa – a block from the ocean!). Cost – FREE! Drop me a line if you’re interested.