Just the pep talk I/you/we need

pecan pie
Where else could you find comfort, reassurance, and tranquility, all on the same plate? 

(Author’s note – I wrote a lot of this earlier in the week, but circumstances of a confidence-instilling nature have occurred since then. I considered scrapping it and starting over, but thought the content was still relevant, so opted to stick with it. Enjoy.)

Let’s face it. Trying to make it as a screenwriter is an almost impossible task.

Emphasis on “almost”.

It can be done. Remember, every single writer whose name is up on there on the screen had to go through a lot of the same things you and I have. Probably even more.

The sad truth is that you will have to endure a lot of frustration before you start to even come close to achieving the results you want. And that frustration can easily lead to anger and depression and feeling like you’re wasting your time and this is never going to work out.

I say this because I’ve been that writer. Many times. This week was no exception. Several writer colleagues had some truly awesome things happen for them, and deservedly so.

Still, I can’t help but feel a slight pang of jealousy about it, but that’s all on me. In no way would I ever intend to divert the spotlight away from their success. They earned it, so they are more than entitled to enjoy it.

As for me, sure, I might wallow in self-pity for a little bit, but time and experience have helped me “get over it” faster, but the hurt does tend to linger.

Writing might be the last thing I want to do, but it’s actually been pretty therapeutic. Shifting your attention to another project – maybe one you haven’t worked on in months – helps with the emotional recovery process. Sometimes I’ll vent to another writer; usually someone who’s been through the exact same scenario.

Once I get all of that out of my system, the drive to succeed once again takes over, I get back on the horse and pick up where I left off – because the only way I’m going to make it is to keep trying, and that the only person who can make it happen is me.

That’s how it is for all of us. You’re not alone.

There will be so many situations where things don’t go your way. In the beginning, it feels like somebody’s stomping on your soul. But you eventually learn to accept that it happens, which helps toughen you up for the next time, of which there will also be many.

So on that note…

There will be a lot of times you just want to give up, or feel like the only word you ever hear is “no”, or have it seem like you’re the only writer on the face of the Earth not making progress.

Corny as it may sound, the best piece of advice I can offer is to keep at it. You will definitely hear “no” a thousand times before that one significant “yes”, but you won’t get it at all if you don’t keep going.

This is not a career path for the easily-defeated or the thin-skinned. I’ve had people tell me my story ideas were stupid and my writing was awful. One memorable character even thought my script was so terrible they were certain it was some kind of practical joke. Comments like that sting, but only temporarily. You learn to ignore them to the point they don’t even faze you anymore.

I’ve had the good fortune to make lots of connections with very talented people, many of whom have been more than willing to help me get closer to that goal.

I’m still here, still trying, determined as ever. And I sincerely hope you do the same.

Shifting from writer to editor

1930s typing
“Hey, this isn’t as unsalvageable as I thought.”

Most of this month has been all about working through the latest draft of a comedy spec. Averaging about 4-6 pages a day, so making some good progress, and hoping to wrap it all up by the first week of March.

Then, the cycle repeats itself with the next round of editing, rewriting, and polishing.

So as I focus on that, here are some older posts about the whole illustrious process, along with a few other related issues.

Fine-tuning in progress

I have written, therefore I will edit

Too much talkiness

Getting over overwriting

 

If triple digits is how many it takes…

math lesson
“So you see, Billy, if you edited out 5 pages from the previous draft, that would put your new midpoint around page 54.”

I recently read in an interview with screenwriter Eric Heisserer that included him being asked how many drafts he wrote for ARRIVAL.

“Over one hundred.”

Sounds like a lot, doesn’t it? Keep in mind that this was also spread out over time, not all concentrated in one specific period. And that a new draft doesn’t necessarily mean a complete rewrite. It could be anything from that to a few words changed on pages 33, 52, and 88 through 89.

And ARRIVAL was also nominated for Best Adapted Screenplay at the Academy Awards, so looks like all those drafts Eric went through were worth it.

About two years ago, I had lunch with a writer friend. He was familiar with my western, and liked it very much. When I mentioned I was considering returning to it to work on it some more, he said “I think it’s fine how it is. If you keep messing with it, you run the risk of making it worse.”

At the time, I really took that to heart. I didn’t want to mess up the script, but deep down I also knew it could still be better.

As you probably already guessed, I eventually ignored his advice and dove back in. I got a few more rounds of feedback from trusted colleagues and professional consultants, always tweaking and fine-tuning with every draft.

There’s no way I could say exactly how many drafts I went through to get to where it is now, but it’s probably safe to say it’s at least over one hundred. That is definitely a lot, but reading the script now, the results of all that work are evident on the page.

Plus, all the notes and all the rewriting have combined to make a really positive impact on my writing. While the overall challenge of putting a script together is still pretty daunting, the whole process seems to move forward in a much smoother manner. And, to be honest, maybe a little faster too.

Even though someone may tell you your script is “good enough as it is”, the final product is all on you. Keep working on it as long as you think you need to, with as many drafts as it takes.

You might not get an Oscar nomination, but getting your script to where you want it to be will definitely make you feel like a winner. Yes, that’s a sappy and corny thing to say, but it’s still true.

My race, my pace

half-marathon
Focus on finishing, not winning

This past weekend, I ran my first half-marathon of the year. Luckily for me, it was a pretty flat course, and I accomplished my primary goal of finishing under two hours. 1:58:43, to be specific.

That works out to about a 9-minute mile, which for me is pretty good. It’s faster than I run during my training runs.

Because it’s an actual race, I tend to push myself a little bit more. Not because I’m trying to beat any of the other runners, but to see what I’m truly capable of.

Naturally, there will be those who finish much sooner than me. I think I was somewhere around the 7-mile mark when the eventual winner passed by in the opposite direction. They were maybe a minute or two from the finish line, while I had just passed the halfway point, so still had another six miles to go (equaling about a little less than an hour or so).

Was I bothered by that? Not in the least. I’m nowhere near being able to run that fast anyway. The takeaway is that we were each going at the pace that worked best for us. Theirs just happened to be significantly faster than mine.

“Well, that’s all well and good, but what does it have to do with screenwriting?” you might ask.

Easy. The results from when I do a race are similar to the results of when I write: I go at my own pace, which is different from everybody else’s. Some writers will get done faster, and some will take longer. As long as you’re happy with the results of how you did is what matters the most.

I know several writers who’ve had some very productive writing sessions the past few weeks; a few have been churning out pages at a seemingly inhuman rate. Do I wish I could emulate them and crank out double-digit numbers of pages every day? Sure, but my personal circumstances being what they are, that’s just not an option. For me, ending the day with three new pages is a victory.

It’s very easy to see somebody else’s progress, compare it to your own, which isn’t as much, and feel like you’re doing a lousy job.

DON’T.

How somebody else writes is absolutely no reflection on how you do. That’s them and you’re you. Comparing and contrasting both sides is pointless. All of your focus and attention should be on you; everything else is a distraction.

Like with running, if you want to improve, you need to work at it. It’s not easy, and takes time. But if you’re willing to put in the effort and keep at it on a regular basis, you’ll find yourself gradually doing better than you did a few weeks or months ago. That, in turn, will boost your confidence and make you want to keep trying to improve.

Writing a script is a long journey, and every single step gets you a little bit closer to finishing. And all those steps add up.

Put in the work, and you’ll see the results. Today, three pages. A week from now, four. After a month, five, six, or even more. Before you know it, you’ve got yourself a completed draft.

All without breaking a sweat.

The drive. The motivation.

feather quill
This would probably be easier with a typewriter or a computer

I’ve been on quite a bit of a tear the past few weeks, with a lot of rewriting, revising and polishing going on for a few scripts. Definitely couldn’t have gotten to this point without some extremely helpful and insightful notes for each one.

Since a few of them involve working with other people, I like to do the polite thing and keep each person updated regarding the progress on the respective script. Where I am in the story, how it went with scenes or sequences that needed work, that sort of thing.

I tend to include my enthusiasm for latest developments and optimism for continuing success in those updates, which seems to garner responses along the lines of:

“I can see it in your energy.”

“I love your work ethic!”

Making headway on a script, no matter how big or small, is addicting. You’re able to make something better, and you want to keep doing it.

To me, it’s really just loving doing this. And the more I do it, I like to think I get a little bit better each time. Probably also safe to say that seeing as how this is what I want to do for a living, enjoying it is a bit of necessity.

It’s always great to see or hear another writer really get into talking about their script because you can see their excitement about it shine through. It’s infectious. But there are also those, myself included, who get frustrated or depressed about their lack of progress. That’s understandable. We’ve all been there. Even the most successful pros.

But at the heart of it all we keep pushing forward, doing our best to not only make the material better, but to also improve how we go about making it better. It’s a challenge, to be certain. One that requires constant effort. Even when you don’t want to, or think it’s all for nothing.

Nobody ever achieved success by giving up.

And I’ve no intention of giving up.