My race, my pace

half-marathon
Focus on finishing, not winning

This past weekend, I ran my first half-marathon of the year. Luckily for me, it was a pretty flat course, and I accomplished my primary goal of finishing under two hours. 1:58:43, to be specific.

That works out to about a 9-minute mile, which for me is pretty good. It’s faster than I run during my training runs.

Because it’s an actual race, I tend to push myself a little bit more. Not because I’m trying to beat any of the other runners, but to see what I’m truly capable of.

Naturally, there will be those who finish much sooner than me. I think I was somewhere around the 7-mile mark when the eventual winner passed by in the opposite direction. They were maybe a minute or two from the finish line, while I had just passed the halfway point, so still had another six miles to go (equaling about a little less than an hour or so).

Was I bothered by that? Not in the least. I’m nowhere near being able to run that fast anyway. The takeaway is that we were each going at the pace that worked best for us. Theirs just happened to be significantly faster than mine.

“Well, that’s all well and good, but what does it have to do with screenwriting?” you might ask.

Easy. The results from when I do a race are similar to the results of when I write: I go at my own pace, which is different from everybody else’s. Some writers will get done faster, and some will take longer. As long as you’re happy with the results of how you did is what matters the most.

I know several writers who’ve had some very productive writing sessions the past few weeks; a few have been churning out pages at a seemingly inhuman rate. Do I wish I could emulate them and crank out double-digit numbers of pages every day? Sure, but my personal circumstances being what they are, that’s just not an option. For me, ending the day with three new pages is a victory.

It’s very easy to see somebody else’s progress, compare it to your own, which isn’t as much, and feel like you’re doing a lousy job.

DON’T.

How somebody else writes is absolutely no reflection on how you do. That’s them and you’re you. Comparing and contrasting both sides is pointless. All of your focus and attention should be on you; everything else is a distraction.

Like with running, if you want to improve, you need to work at it. It’s not easy, and takes time. But if you’re willing to put in the effort and keep at it on a regular basis, you’ll find yourself gradually doing better than you did a few weeks or months ago. That, in turn, will boost your confidence and make you want to keep trying to improve.

Writing a script is a long journey, and every single step gets you a little bit closer to finishing. And all those steps add up.

Put in the work, and you’ll see the results. Today, three pages. A week from now, four. After a month, five, six, or even more. Before you know it, you’ve got yourself a completed draft.

All without breaking a sweat.

Looking back, glimpsing ahead, and a minor adjustment

new year's eve
Just one more glass of champagne, then it’s back to work. Promise.

As 2017 wraps up, it’s only natural to engage in a little self-evaluation.

How many of your writing goals were you able to check off this year? Most of them? Some? A small-but-decent fraction? Hopefully you don’t need to mark the box labeled “None”.

One of mine was to complete at least three scripts. I managed two drafts, a revised outline, and one and a half rewrite/polishes (one still a WIP). Pretty solid results. A very hearty thanks to everybody who devoted the time and effort to give me notes. I hope my notes for yours were just as helpful.

Using those notes and the results of a few conversations, I think I’ve been able to up the quality of my writing a few notches. It still has a few levels to go, but it definitely seems better than it was. The next round of drafts should be really interesting,  both in terms of working on them and how the end results turn out.

I wanted to read more scripts, which actually happened, but not entirely in the way I expected. I didn’t do as much reading of scripts for the purpose of entertainment or gleaning some helpful guidance because I ended up reading over 100 scripts for several contests. Don’t know if I’ll do it again, but still glad I did it.

On the gaining representation front, lots of query emails were sent. Maybe one response out of ten expressed interest in reading the script, with each ending with a “thanks but no thanks” or “just not what I’m looking for”. A bit disappointing, but not totally unexpected. Along the way, I also worked on being more strategic about the process, researching potential recipients and re-drafting the query to (in theory) really sell the concept of the script.

And what would an ambitious screenwriter’s year be without contests? My western made it to the seminfinals of a few smaller contests and the top 20 percent for the Nicholl (not too shabby), but once again whiffed it for PAGE. I’ve become somewhat disillusioned regarding contests, so will most likely really cut back on them. Maybe just stick to the big three.

There was the most pleasant experience of going to Los Angeles to attend a table read for one of my scripts. I like the idea of doing one or two of them locally, so looking into that for 2018.

I hosted two screenwriting networking events, which connected me with some very talented writers from right here in the Bay Area. Definitely plan on doing that again at least once this year. Highly recommended, especially if you’re not in Los Angeles and want to expand your own personal network.

On the half-marathon front, I ran five races this year – the most ever in one year for me. Still averaging about two hours, which isn’t bad – for me, but the quest for 1:55 continues. Already signed up for three next year, with maybe one or two more expected to be added into the mix. Like with screenwriting, improvement takes time, effort and dedication. A good pair of socks and strong knees also come in handy, and that applies to both.

Finally, this blog. As always, a great experience doing what I can to offer advice to help other writers, recounting my experiences and the lessons I got out of it, and presenting some interviews with some truly interesting and amazing creative folks. I am truly grateful to everybody who’s stopped by to take a look, like a post and make a comment.

But it’s also been exhausting. Producing posts twice a week on top of dedicating time to write and make a career out of it has simply gotten to be too much. I still enjoy doing the blog, but want to refocus my energies. So as of January 1st, I’ll be reducing my weekly output to Fridays only, and sometimes even that might be iffy. It’ll most likely be on a week-by-week basis.

I hope you had a most productive 2017 and wish you all the best for an even better 2018.

See you in seven.

A few treats, but no tricks

Halloween candy
…and all the peanut butter cups you can eat

Halloween shorty today due to yet-again busy times around Maximum Z HQ.

Among the highlights:

-Finished the initial overhaul for the outline of the comedy spec. The story is still kind of/sort of the same, but still significantly different than what it was. There’s still some tweaking to be done, but I’m really liking how it turned out.

-Got some notes back on a few of my scripts. For the most part, they’re pretty positive with some good suggestions, but there were also a couple of comments that made me question if my writing abilities are where they need to be. Maybe to a certain extent, but as it was pointed out to me, those comments are from one person, and one person’s opinion is not the final say. That’s something I really need to keep in mind.

-More writers asking me to do notes or engage in a script swap. Some new, some returning for more. Guess my analysis skills are improving. Happy to help when I can, but don’t expect a fast turnaround.

-A slow but steady output of query letters continues, with a handful of “send it” responses. Not a bad percentage so far. Not relying on any of them, but always maintaining a positive & hopeful attitude. Send it, forget it, on to the next one.

Thus the journey to being a working writer continues…

Pause. Refresh.

vintage date
We’ll get back to working on the script as soon as we’re done. Promise.

After having taken a longer-than-expected break from working on the comedy spec, I’m back at it now.

There were the occasional glimpses and minor touch-ups here and there, but I’d estimate it’s been at least several weeks, if not a little more than a month since I was really able to fully focus on it.

During that time (while working on another script), I kept thinking “what if I can’t think of anything new for this?” I also made a point of not looking at the previous draft of the outline; I didn’t want to unintentionally influence the new one.

But the moment of truth had arrived. The other script was done, or at least as much as it was going to be for the time being, and there was no more delaying the inevitable. I had to confront this monster head-on.

Having avoided looking at the previous draft for a while, some of the details were still there, albeit a little fuzzy. Somehow this enabled me to not automatically revert to thinking they were my only option. Instead, I took those details with the thought of “this is what could happen, but what would be a new and really different way of doing it?”

Applying that thought process, along with not feeling tied down to what it was before has really allowed me to come up with some entirely new ideas and approaches, many of which I would have never even contemplated before. Like chunks of an iceberg, elements of the previous draft are breaking off and drifting away, never to be seen again.

The core concept of the story remains intact, but more and more of how that story takes place are experiencing major changes. As of this writing, it’s somewhere past the halfway mark. As is usually the case for me, some elements that still need work, but a new and pretty solid and foundation is being laid.

Would I have been able to come up with any of this if I had dove right back in after finishing the previous draft? Highly doubtful. The material was still fresh in my mind, so it would have been significantly less likely for me to be able to not automatically go to it.

Taking this break, along with focusing on another project, especially one entirely different in genre, provided me with the opportunity to jump back into this one with a strong sense of revived creativeness. Even though it was still a bit on the daunting side, I came into it with a “You got this” attitude.

It also helped that I wasn’t being so hard on myself for not having every line be pure gold the first time out. This is still a work in progress, so everything remains in an ongoing state of flux.

For now, it’s coming along nicely, and forward progress is holding steady. As much as I would love for that to continue all the way to the end, I’m also a realist, so enjoying every productive day as they come.

I’d always heard the recommendation that after you finish a script, you should put it away, or at least not look at it for at least two weeks. That’s not a bad start, but I’d say a month might be better. That way you can give yourself the choice of going back and looking at what you’ve already done (which can be quite eye-opening in both good and not-so-good ways), or starting anew.

Now that I’ve done both, I can honestly say that both have proven equally effective in their respective ways, and I strongly suspect I’ll continue to go back and forth for future drafts of this as well as future scripts.

Gosh, what a full plate!

primanti bros
It’ll take time, but feeling confident I’ll accomplish that which I set out to do. (In the meantime, anybody up for Primanti Brothers? (Pittsburgh shout-out!))

My projects over the next couple of months are shaping up nicely.

-Finish overhauling the outline for the comedy spec and convert it into pages

-Some more fine-tuning on the pulp sci-fi (courtesy of a steady influx of good notes)

-Maybe one more pass on the western. Yeah, I know. But I recently got some keen insight on a few parts which could do with a little improvement.

The potential is still strong for all three, both in terms of contests and queries.

I have to say that this time around, my analytical and editing/proofreading abilities feel a bit stronger. Not that they’re the pinnacle of perfection, but at least slightly more developed than, say, a few years ago. That’s a definite plus. Nor would I hesitate to take full advantage of the sage advice of my squadron of savvy readers.

I feel a bit more prepared now, as well as a little more confident about ending up with a triad of really solid scripts.

That’s the hope, anyway.

Another part of my enthusiasm comes from seeing the results of some of the major screenwriting contests, some of which I entered and didn’t fare as well as I’d hoped. I’ll work on these scripts, send ’em out and hope for the best.

On a brief side note, I recently read the comment on an online forum – “Waiting for notes. What should I do to occupy my time?”

I suggested “Start working on your next project.” It’s what I would do. Can’t think of a better way to get your mind off a finished script than starting a new one or digging into the archives and touching up an older one. Gets the creativeness pumped up and really does help pass the time.

Anything that lets you flex your writing muscles while adding to your arsenal of material can only be seen as a good thing.