Halloween shorty today due to yet-again busy times around Maximum Z HQ.
Among the highlights:
-Finished the initial overhaul for the outline of the comedy spec. The story is still kind of/sort of the same, but still significantly different than what it was. There’s still some tweaking to be done, but I’m really liking how it turned out.
-Got some notes back on a few of my scripts. For the most part, they’re pretty positive with some good suggestions, but there were also a couple of comments that made me question if my writing abilities are where they need to be. Maybe to a certain extent, but as it was pointed out to me, those comments are from one person, and one person’s opinion is not the final say. That’s something I really need to keep in mind.
-More writers asking me to do notes or engage in a script swap. Some new, some returning for more. Guess my analysis skills are improving. Happy to help when I can, but don’t expect a fast turnaround.
-A slow but steady output of query letters continues, with a handful of “send it” responses. Not a bad percentage so far. Not relying on any of them, but always maintaining a positive & hopeful attitude. Send it, forget it, on to the next one.
Thus the journey to being a working writer continues…
After having taken a longer-than-expected break from working on the comedy spec, I’m back at it now.
There were the occasional glimpses and minor touch-ups here and there, but I’d estimate it’s been at least several weeks, if not a little more than a month since I was really able to fully focus on it.
During that time (while working on another script), I kept thinking “what if I can’t think of anything new for this?” I also made a point of not looking at the previous draft of the outline; I didn’t want to unintentionally influence the new one.
But the moment of truth had arrived. The other script was done, or at least as much as it was going to be for the time being, and there was no more delaying the inevitable. I had to confront this monster head-on.
Having avoided looking at the previous draft for a while, some of the details were still there, albeit a little fuzzy. Somehow this enabled me to not automatically revert to thinking they were my only option. Instead, I took those details with the thought of “this is what could happen, but what would be a new and really different way of doing it?”
Applying that thought process, along with not feeling tied down to what it was before has really allowed me to come up with some entirely new ideas and approaches, many of which I would have never even contemplated before. Like chunks of an iceberg, elements of the previous draft are breaking off and drifting away, never to be seen again.
The core concept of the story remains intact, but more and more of how that story takes place are experiencing major changes. As of this writing, it’s somewhere past the halfway mark. As is usually the case for me, some elements that still need work, but a new and pretty solid and foundation is being laid.
Would I have been able to come up with any of this if I had dove right back in after finishing the previous draft? Highly doubtful. The material was still fresh in my mind, so it would have been significantly less likely for me to be able to not automatically go to it.
Taking this break, along with focusing on another project, especially one entirely different in genre, provided me with the opportunity to jump back into this one with a strong sense of revived creativeness. Even though it was still a bit on the daunting side, I came into it with a “You got this” attitude.
It also helped that I wasn’t being so hard on myself for not having every line be pure gold the first time out. This is still a work in progress, so everything remains in an ongoing state of flux.
For now, it’s coming along nicely, and forward progress is holding steady. As much as I would love for that to continue all the way to the end, I’m also a realist, so enjoying every productive day as they come.
I’d always heard the recommendation that after you finish a script, you should put it away, or at least not look at it for at least two weeks. That’s not a bad start, but I’d say a month might be better. That way you can give yourself the choice of going back and looking at what you’ve already done (which can be quite eye-opening in both good and not-so-good ways), or starting anew.
Now that I’ve done both, I can honestly say that both have proven equally effective in their respective ways, and I strongly suspect I’ll continue to go back and forth for future drafts of this as well as future scripts.
My projects over the next couple of months are shaping up nicely.
-Finish overhauling the outline for the comedy spec and convert it into pages
-Some more fine-tuning on the pulp sci-fi (courtesy of a steady influx of good notes)
-Maybe one more pass on the western. Yeah, I know. But I recently got some keen insight on a few parts which could do with a little improvement.
The potential is still strong for all three, both in terms of contests and queries.
I have to say that this time around, my analytical and editing/proofreading abilities feel a bit stronger. Not that they’re the pinnacle of perfection, but at least slightly more developed than, say, a few years ago. That’s a definite plus. Nor would I hesitate to take full advantage of the sage advice of my squadron of savvy readers.
I feel a bit more prepared now, as well as a little more confident about ending up with a triad of really solid scripts.
That’s the hope, anyway.
Another part of my enthusiasm comes from seeing the results of some of the major screenwriting contests, some of which I entered and didn’t fare as well as I’d hoped. I’ll work on these scripts, send ’em out and hope for the best.
On a brief side note, I recently read the comment on an online forum – “Waiting for notes. What should I do to occupy my time?”
I suggested “Start working on your next project.” It’s what I would do. Can’t think of a better way to get your mind off a finished script than starting a new one or digging into the archives and touching up an older one. Gets the creativeness pumped up and really does help pass the time.
Anything that lets you flex your writing muscles while adding to your arsenal of material can only be seen as a good thing.
Seeing as how I’ve designated this latest go-round with the comedy spec as an “overhaul”, it’s only fitting that that’s what actually happens.
I’d decided I was absolutely not going to use the previous draft as reference material. This approach was going to be more than just the slapping on a new coat of paint and rearranging the furniture.
Granted, there were some select parts that survived the trip from the previous draft to the new one, but only because they’re vital components of the story, which makes them still relevant. Everything else, however, would be fresh and new.
And as you’d expect, that’s been slightly tougher. Tough, but not impossible.
Developing changes in a rewrite can really test one’s mettle and determination. Sometimes I’ll feel stuck and think “How’d I do it before?”, but then I fight the temptation to dig up the previous outline, reminding myself I’m in overhaul mode. Looking at the previous draft would counteract what I’m working towards now – to try something new.
There’s always a different path to where you’re trying to go.
I suppose part of it is the occasional lazy writer approach of considering what’s come before as “good enough” and not really changing it that much, but if it were “good enough” to begin with, I wouldn’t be working so hard on changing it this time, right?
Some days I’ll produce a wonderfully long sequence in no time flat, while some will yield a meager handful of bullet points of important moments that need to happen within the context of that scene or sequence, and took a dreadfully slow hour just to come up with.
Despite all of this, the results so far have proven encouraging, with work about to begin on a totally-from-scratch sequence. Forward progress is slow, but steady – as it should be.
I suspect the end result will be significantly and pleasingly different from its previous incarnation. And I wouldn’t have it any other way.
-two new items posted to the Maximum Z Bulletin Board!
-Screenwriter Kay Tuxford, director Prathana Mohan, and producer Edward Timpe have launched the crowdfunding project for The MisEducation of Bindu, a new and original take on the typical high school film. The script was a Nicholl semifinalist, so you know it must be some high-quality stuff. Donate if you can!
-Starting today and running until September 30th, screenwriter Max Adams is offering up a limited time half-off special on script consultations. Go to the contact link on the website to email her for details.
The busy times never stop around Maximum Z HQ. Among the latest tasks being undertaken:
-Rewrite/overhaul of the low-budget comedy
-Sporadic rewrite work on the pulp sci-fi spec, with initial sets of notes being carefully scrutinized
-Crafting together some pretty solid query letters, along with researching the best places to send them
-Jotting down notes for several future projects, including a comedic take on one of my favorite genres
-Providing scriptnotes to patient writer colleagues
You’d think with all of this going on, plus the non-writing normal life, I’d be exhausted.
Actually, I am, but it’s cool.
The way I see it, keeping busy like this helps me be a better writer; continuously working on something helps me be productive and further develop my skills.
Sure, somtimes the amount of actual writing is bare minimum, or maybe even not at all, but that’s okay too. All work and no play and all that.
Most importantly, I’m just getting a real kick out of doing it. If I wasn’t, I’d be a lot less likely to want to keep going.
And there are also days where it all gets so frustrating that I want to just walk away from it all. But I like doing it to much to even consider that.
Some recent interactions I’ve had with other writers have included more than a few of them expressing frustration about their diminishing hopes of making headway with breaking in and getting a writing career going.
I feel for them. I really do. As just about any writer will attest, this is not an easy undertaking. “It’s a marathon, not a sprint,” right?
Even though all of our chances are somewhat slim, I suggested they keep at it, if only for the sheer joy of writing. Isn’t that what got us all started?
When I asked one writer how their latest project was going, the response was “Really enjoying working on this, even though I know nobody else will ever see it.”
I totally get that. We all have our reasons for deciding whether or not to put our work out there, but the important thing was that they were having a good time with it. And you can tell if they were by what’s there on the page. It it was a chore for you to write, it’ll be that much more of a chore for us to read. Is that really the route you want to take?
So no matter what it is you’re working on right now, I sincerely hope that it’s bringing you as much joy and pleasure as you’re hoping to provide to your reader/audience.