At least 11 choice “re-” words

teacher
No, class. “Relapse” is not one of them.

Progress on the latest draft of the comedy spec is coming along. Slowly, but still coming along.

Among the highlights:

repairing the script. Previous drafts had some notable and sizable problems on several fronts, so this is all about fixing them, or at least figuring stuff out to make it better overall. This is the main priority.

revising the story. Some of the scenes still work. The ones that don’t are out, with variations and totally new ones being developed and considered. A work in progress is a beautiful thing.

reviving older ideas. I keep all the notes and items jotted down over the course of working out the story, so there’s always a few items worthy of dusting off. This time around is no exception.

reorganizing the tone. Notes on a previous draft stated how uneven the story felt; like it was a few opposing ideas competing for attention. Currently working on streamlining things to make it all mesh better.

refurbishing characters and/or their traits. From the protagonist and antagonist to supporting characters to those appearing in one scene, everybody gets some kind of modification. Some big, some not-so-big.

reinvigorating the jokes. With comedy already being a subjective topic, I’m trying to come up with stuff I think is funny. Influences abound, and I want my sense of humor to be what runs that particular engine.

remaining calm. Finishing this draft won’t happen overnight, and trying to force creativeness or rush progress is the absolute wrong approach. Preferred method – taking it one step at a time.

resuscitating self-confidence. Writing a comedy’s tough enough to begin with. I’ve done it before, and despite a few missteps along the way, feel pretty solid about my chances this time around.

relinquishing the self-imposed pressure. Naturally, I want to have a good, solid script when I’m done (hopefully it won’t take many more drafts). Stressing about getting to that point won’t do me any good, which leads to the final point…

relaxing and recharging the writer. A good portion of my available time is spent writing or at least thinking about it. Working on it too much runs the risk of burnout, which would be completely counterproductive. Therefore, I allow myself time to simply step away and do something totally non-writing-oriented.

And when the time is right, I return to the rewrite.

Whew! Took me a while to refine this, but I don’t recall being so resplendently relieved to be done. Even better, none of it had to be redacted.

A whopping 180 degrees

Turn-around
Which way?

The process of overhauling the low-budget comedy has proven to be quite the challenge. Notes from reliable sources had pointed out a few problems in need of fixing, and that’s what I’ve been laboring to rectify the past couple of weeks.

It hasn’t been easy.

One challenge was to let go of “what came before” in the previous draft. Sometimes it’s tough to wipe the slate clean and start anew, and this time was no exception. Once I set up how things play out, it’s not easy to push it aside and do something different.

Which isn’t to sat I haven’t been trying.

Even though you can’t force inspiration, I knew I could think my way through this. So, as has happened many times before, I stepped back and took a look at the full picture.

What was it about the previous draft that wasn’t working? Start with that and figure out ways it could be done differently. Let the imagination run wild and the creativeness flow.

First, I broke it down on a scene-by-scene basis. What’s the purpose of each one? Does it advance story, character and theme? And since it’s a comedy, is it funny? (That last one has been particularly challenging).

It’s been tough, but not insurmountable.

I’d managed to work my way into the first part of Act 2, but then hit a wall. Nothing was working.

I won’t say I was feeling desperate, but it was quite an effort to not pick up my laptop and fling it across the room.

But rather than engage in aggravated assault of electronic devices, I opted to give it one last try.

I went back to the notes. Many of the comments said more or less the same thing, especially regarding one in particular. I’d seen it before, but this time, something really resonated.

One of the most powerful tools in the writer’s bag o’ tricks is the Great What If? Use it wisely.

So I applied it to my problem. If THIS wasn’t working, WHAT IF I tried something different? And what better way to do something different than the total opposite?

And as it has many times before, there it was.

The more I applied this to the rest of the story, the more of it came together. It’ll require a little more rewriting for now, but gosh is this a lot better than it was before.

Forward momentum has resumed. Updates to be released accordingly.

-Bulletin board update! Filmmaker Diane Harder has a crowdfunding project underway for her short Penny Foster. Donate if you can!

A big stove with lots of burners

jayne
Always something cookin’ in this kitchen

Thanks to a big, determined push, I managed to wrap up the initial edit of the pulp spec last night. Amazingly, it’s still 116 pages. Much as I’d love to take another pass on it, a better option is to gently nudge it aside and let it simmer for a few months.

In the meantime, my attention now turns to a few other items, including providing some script notes and a major overhaul of one of the low-budget comedies.

To some, it might seem I’m taking on too much. Others might think it’s great to be so busy. No matter which opinion you have, it all comes down to how the individual (i.e. yours truly) sees it.

Me, I enjoy the diversity and variety. I like to work on my own material AND read other people’s stuff. All that mental stimulation helps me in the long run; the equivalent of maintaining a regular workout schedule at the gym. Or in my case, a steady regiment of training runs.

Always working on something, or even adding some reading and watching into the mix, not only helps your creativeness, but your actual output. Wouldn’t you say your writing skills are significantly better today than they were, say, a year ago? How about compared to when you just started out? I know mine are. Especially in terms of the latter.

All that being said, I think there’s a big difference between being a productive writer and just being a non-stop writing machine. A productive writer definitely produces material, but they also take the time to have a life outside of writing. The machine is just full speed ahead and don’t let up. Granted, there are some who can do both, and kudos to them. I prefer to be the former.

I also don’t have any problem with transitioning to a new project once one is completed. Even though I haven’t directed all attention on the new one, it’s always been in the back of my mind. Maybe an idea about it would pop, which would then be added to an always-handy list, then brought back out later. You might have a different approach, but this is what works for me. Everybody writes in their own way.

In the meantime, my nimble little fingers will now get a bit of a rest while I dive into the aforementioned giving of notes. And once all of those are done, the dust gets blown off the keyboard and the cycle repeats.

Start with similar, venture into different

path
With one you can play it safe, while the other offers up more of a challenge

In the handful of times I’ve helped out as co-writer or script polisher on somebody else’s project, there have been variations on the following conversation:

ME: And then THIS happens!

THEM: Oh, we can’t do that. ACTUAL MOVIE did the same thing.

ME: Not exactly. ACTUAL MOVIE did THIS, and what I’m suggesting is maybe at the very foundation the same concept, but if we did it THIS WAY so THIS HAPPENS, it would be entirely different.

THEM: But won’t people think we’re just ripping off ACTUAL MOVIE?

ME: First of all, ACTUAL MOVIE has been out for a while, and you’re at least a year away from having this thing done, so I highly doubt the first thing anyone’s going to think is we’re ripping off ACTUAL MOVIE. Second, this is exactly why I think THIS is how it should happen. True, both use the basic concept, but we’re putting our own spin on it so it doesn’t resemble ACTUAL MOVIE at all. They’re similar, if you could even call it that, but still different.

THEM: (thinks it over). Well, okay. We’ll give it a try.

And…scene.

I’ve read about this in articles and seen it firsthand while reading scripts, both times usually associated with newer writers. Somebody really likes how something happens in a film or a script, so then they go and have the EXACT SAME THING happen in theirs. I get that you liked that original, but why, oh why would you want to use it practically verbatim in yours?

Doing the screenwriting equivalent of a “copy, cut, and paste” will do you no good because it’ll be painfully obvious that’s what you did. You’re trying to tell an original story, and THIS is what you do?

If anything, people will definitely think you ripped off that original thing and berate you for your total lack of originality. Was that your goal? Probably not.

Time to get analytical. What was it about that particular something that really got to you? Why do you feel the need to have the same thing happen in your script? That’s the angle from which to approach it.

But this is also where the challenge begins. Once you identify that core detail, it’s up to you, the writer, to figure out a new way to use it in such a way that not only does it serve the purpose you need, but also pays homage to what inspired it in the first place.

You know where things are going, or at least where you want them to go, but now you need to tweak how they get there. Work those muscles of creativeness! Try something new! Don’t hesitate to jump off the beaten path into new territory! If anything, you might come up with an entirely new idea that accomplishes exactly what you needed, but just a totally different way.

Sure, there’s a very slight chance it could potentially remind somebody of ACTUAL MOVIE, but they’ll definitely remember that it came from yours.

Percolating. Always percolating.

Image result for coffee POT GIF

As writers, we fully realize that inspiration can hit at any time, and in any situation. And it’s what you do when it does that really matters.

Late last year, I was taking the dog for her last walk of the day. Something about that particular moment triggered a story idea. I won’t say the floodgates of creativeness opened wide; more like the squirt from a water pistol. It was just a sentence, maybe two, but I immediately saw so much potential in it.

We got home, I created a file for it on my computer, and I wrote down the tidbits of story I’d managed to come up with.

And in the hard drive it sat, practically untouched for months on end.

In a manner of speaking.

As is usually the case, even thought I may not actually be writing, I’m always thinking about the writing.

Although I’ve worked on several other scripts this year, every once in a while, a new detail about this story would pop up and I’d add it in. It’s definitely an ongoing work in progress, moving at a glacial pace, and there’s no rush to get it done.

It’s actually very beneficial to not put any pressure on yourself and just let the ideas show up at their convenience. And sometimes it pays off when you least expect it.

About a week ago, I came up with an idea for a short, but then realized the location would be a perfect setting for the climax of this script. Determined to hang onto that idea, I reopened the file and figured it was as good a time as any to to move things forward a little, so I started organizing the plot points. There are still a few blanks to be filled in, but it’s slowly coming together.

When the’s next time I’ll work on it? No idea. It’s still very, very early in the development process. A few other scripts currently have priority over this one, but I highly suspect the trend of occasionally adding a few details will continue.

As it should. And then when I finally get around to focusing all of my attention on this one, chances are I might be further along than I expect.

So keep on working on whatever it is you’re currently working on. But feel free to let your imagination wander about once in a while into something else, particularly something you plan to eventually work on. See what you come up with, and if you like it, stash it away for later. Hold onto it even if you’re not that crazy about it; you might find a totally unexpected use for it later.

No matter what you do, Future You will really appreciate everything Present You is doing.