The latest in a series of interviews with script readers and consultants who would be worth your while to work with if you want to get your script in shape. Today’s spotlight is on Wayne McLean of Wayne’s Movie World.
1. What’s the last thing you read/watched that you thought was incredibly well-written?
2. How’d you get your start reading scripts?
I fell into it by accident. I was in a writers’ group. One of the guys was produced and went to Toronto for a pitchfest. He brought back 95 or 100 scripts. I read them all and called each writer to give input. No charge. After about 90 phone calls I said, “I can do this.” My 25-year career in broadcasting really helped. That was about 10 years ago.
3. Is recognizing good writing something you think can be taught or learned?
I work with writers and their scripts to provide the focus necessary to perfect the skills required for the CRAFT of screenwriting in relation to their scripts. Then, through a careful process, the writers and I work together to develop their talents to enable them to become proficient in the ART of screenwriting.
4. What are the components of a good script?
Amazing writing with a unique point of view. Compelling, riveting characters. Crackling dialogue. Powerful subtext on all levels. Scenes and situations that are fresh. Marketable.
5. What are some of the most common mistakes you see?
Clichés. Sending out a script that isn’t ready for the market.
6. What story tropes are you just tired of seeing?
Characters waking up from a dream. Fragmented concepts. Two-dimensional characters.
7. What are the 3 most important rules every writer should know?
I don’t ascribe to the idea of ‘rules’. I prefer to see a writer following guidelines and principles. The script must be entertaining, entertaining and entertaining.
8. Have you ever read a script that was an absolute, without-a-doubt “recommend”? If so, could you give the logline?
I cannot disclose loglines. All materials submitted are confidential and conform to my rules of privacy. I do have some clients with million dollar concepts.
9. How do you feel about screenwriting contests? Worth it or not?
If a writer can afford it, enter as many contests as possible. Use them as an opportunity to develop writing skills and ask if there is input available from the judges.
10. How can people get in touch with you to find out more about the services you provide?
11. Readers of this blog are more than familiar with my love/appreciation of pie. What’s your favorite kind?