Ever have one of those days where you want to sit down and be a creative dynamo, but just can’t muster the energy?
That’s how I felt yesterday. I was done with work, the weekend right there in front of me, but the drive to do some work on the rewrite just wasn’t there.
I’m sure if I were a working screenwriter, I would have forced myself to work. But after a long week and a day of running around, I just ran out of gas.
Fortunately, it was a short-lived feeling and I’m raring to dive in this coming week. Doing the midday traffic shift will also help.
-Movie of the Moment: THE PROJECTIONIST, recommended by Mark Evanier. A clever film from 1971 starring Chuck McCann as a projectionist in a Times Square theatre prone to imagining a fantasy life in silent black and white, partly composed of a huge assortment of older film clips, including CASABLANCA, GUNGA DIN and some FLASH GORDON. Again, all of these without sound.
According to the pre-showing interview on TCM, the director got all of these clips without any hassle over the rights because he knew just about everybody at most of the studios, so he could pick and choose what he needed from his pals. Nice.
There isn’t really much of a plot for the present-day stuff; mostly him working (including Rodney Dangerfield in his film debut as the grouchy theatre manager and the villain in the fantasy segments), and walking around NYC. Actually, watching him navigate the crowds, cafes and shops is a little sad. McCann comes across as lonely but never pathetic.
The fantasy sequences are where it really comes alive, revolving around the quest to recover a secret death ray formula, a scientist and his beautiful daughter, and numerous fights featuring 3 Stooges-like sound effects.
I suspect this would appeal more to film aficionados than your average filmgoer. I enjoyed it, especially McCann’s dead-on impressions, but don’t feel the need to see it again.