Even better

Progress is coming along nicely. I was able to make some changes to the new beginning I worked on yesterday, and it really meshed with most of what I had written before.

And it also seems like it will only need some minor readjustments here and there to really bring it up to speed. Which means I can finally focus on moving forward.

Regarding one subplot of which I was very concerned, I realized I might be able to tie it in with another, thereby tying more of the whole thing together.

I like when this kind of serendipity happens.  Or is it?

-Regarding GHOST TRAIN, I didn’t get a chance to read it during those brief minutes between traffic reports because the Adobe Reader in my studio computer appears to not be working. Knowing this company the way I do, I wouldn’t be surprised if it’s been removed altogether.

So I’ll have to read it at home, and with K heading out of town, I’ll have plenty of spare time to do that.

As is typical of my scatterbrained nature, I also forgot about the remaining Black List scripts. Hopefully once the Adobe reader is working again in my studio, I can knock a few of those out of the way.

-I think I’ve mentioned Scriptshadow’s Amateur Friday before, but just in case you’ve forgotten, the site’s moderator chooses a script from those submitted by his readers (accompanied by a note explaining why he should pick this script), reviews about it and posts his comments. A lot of the time the script is made available to the rest of the readers as well.

I sent in DREAMSHIP and WOK & ROLL aka the Chinese restaurant script. I’ll be surprised if he picks either. But you never know.

-Movie of the Moment: a completely forgettable B Western called MAN IN THE SHADOW from 1957. It was on Encore’s Western channel, and the only reason I watched it was because Orson Welles is in it. He appears to be about 40 or 50 pounds shy of his TOUCH OF EVIL weight. This may also be around the time he appeared on an episode of I LOVE LUCY.

Apart from him, there’s nothing unique about the film. I’d heard Welles had been in a Western, purely in an acting capacity. Poor guy. His wunderkind days were far behind him and he probably needed the work to fund his own projects.

Can you imagine being the director on that film? I wonder if the guy ever asked Welles his opinion about how a shot looked. I guess that would be like coaching a community softball team with Tim Lincecum as your pitcher. (That’s the long-haired SF Giants pitching phenom, for you out-of-town baseball fans.)

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