Characters are people!

soylent green
Go ahead. Say it like he would. You know you want to.

I’d always heard how your script should somehow reflect “the human condition”, but never really had a firm grasp of eactly what it meant or how you would accomplish that.

I mentioned the phrase in a discussion with another writer, to which they responded “I don’t care about that. I just want to tell good stories.”

But isn’t the story about the characters to begin with? And a story with under-developed characters won’t be as good as one where the characters feel like actual people.

Accomplishing that has always been one of my biggest challenges.

A comment I’ve received more than a few times in the past is that the reader finds my characters good, but somewhat incomplete. They’re established and believable, but only to a point. This isn’t saying they’re flat, one-dimensional caricatures (something I’ve unfortunately seen in many other spec scripts), but they don’t feel completely real.

Readers/audiences want to be able to relate to the characters in your script. They might feel they’re only getting a glimpse into what kind of person the protagonist is, or know there’s more to them, but that “more” isn’t there, and they want to see that. And this doesn’t just apply to the main characters; it’s everybody.

Digging a little deeper and offering up a few more details would help flesh them out, which in turn would make for a stronger story.

When I recently sent a script out for notes, the reader asked if there was anything specific I wanted them to focus on. Without a doubt, it was the protagonist and the antagonist. I felt while they were good, there was definitely a need to make them better.

The reader agreed and made some good suggestions about how that could be achieved. “We don’t know as much about these two characters as you might think,” they wrote. Since I was the writer, I had a little more insight into their respective backstories and what made them the people we see, but some of those details had stayed in my head, rather than been transferred onto the page.

So I went about adding in some small details here and there; a line of dialogue or a seemingly insignificant action. A few touches to give a little more insight into what makes them tick; why they are the way they are.

All of this, combined with a few alterations with the plot, makes this latest draft feel really different, and hopefully stronger, than its predecessors. I’m giving it a few more days to simmer, and will then give it another look to see if that vibe still holds.

What I’m also hoping is that from here on in, I’ll be able to apply this kind of approach to all future drafts, which would in theory, help achieve the same results but in a shorter amount of time.

Hope and ambition. Just two parts of the human condition, right?

The drive. The motivation.

feather quill
This would probably be easier with a typewriter or a computer

I’ve been on quite a bit of a tear the past few weeks, with a lot of rewriting, revising and polishing going on for a few scripts. Definitely couldn’t have gotten to this point without some extremely helpful and insightful notes for each one.

Since a few of them involve working with other people, I like to do the polite thing and keep each person updated regarding the progress on the respective script. Where I am in the story, how it went with scenes or sequences that needed work, that sort of thing.

I tend to include my enthusiasm for latest developments and optimism for continuing success in those updates, which seems to garner responses along the lines of:

“I can see it in your energy.”

“I love your work ethic!”

Making headway on a script, no matter how big or small, is addicting. You’re able to make something better, and you want to keep doing it.

To me, it’s really just loving doing this. And the more I do it, I like to think I get a little bit better each time. Probably also safe to say that seeing as how this is what I want to do for a living, enjoying it is a bit of necessity.

It’s always great to see or hear another writer really get into talking about their script because you can see their excitement about it shine through. It’s infectious. But there are also those, myself included, who get frustrated or depressed about their lack of progress. That’s understandable. We’ve all been there. Even the most successful pros.

But at the heart of it all we keep pushing forward, doing our best to not only make the material better, but to also improve how we go about making it better. It’s a challenge, to be certain. One that requires constant effort. Even when you don’t want to, or think it’s all for nothing.

Nobody ever achieved success by giving up.

And I’ve no intention of giving up.

One goal, lots of strategies

to do list
Step 1 – plan. Step 2 – execute. Step 3 – repeat Step 1.

Last time the subject was how we did, writing-wise, during 2017. Today, it goes beyond simply what you’re hoping to accomplish to “So what are you doing about it?”

Just a few days into the new year, and how much writing have you done? Are you adhering to the guidelines you set up for yourself? Making the most out of the time you have available? Are you saying to yourself “No more Youtube! No more (insert preferred form of social media here)! I got me some writing to do!”, followed by actually turning off that unwanted source of input and applying proverbial pen to digital paper?

Jeez, I sure hope so.

Repeat the process on as close to a daily basis as you can get, and you might be pleasantly surprised at the results. You might have more time to work with during the day than you realize, so why not make the most of it?

Long-term goals are all fine and dandy, but continuously crossing the finish line for smaller (and some might say more realistic) ones can also yield some solid results. It’s one thing to say “I’m going to write four scripts this year!” and another to say “I’m going to write three pages today!”, and you’d have to admit the second one is just a little bit more achievable.

Additionally, if you stick to that schedule and maintain the same kind of daily output, you could potentially hit at least some of your long-term goals a little sooner. Write three to four pages a day every day, and within a matter of weeks (or maybe a little more than a month), you’re the proud parent of a completed draft. Sure, it might need a lot of work, but the important thing to remember here is : YOU DID IT.

As 2017 wound down, I knew what I wanted to happen for me, writing and career-wise, in 2018. Now that we’re almost a whole week in, I’ve been making an effort to try and get something done on both fronts every day.

For the writing, it’s anything and everything, running the gamut between outlining, rewriting, editing, proofreading, or even just jotting down an idea for a scene in the under-construction outline for a story I haven’t looked at since April. Working with some very quality notes for two scripts, I’m actually ahead of schedule with rewriting one, and gearing up to dive into the second when that’s done.

For the career, it’s about finding more avenues to get myself and my scripts out there. I’m not just pitching stories; I’m pitching a storyteller as a potentially invaluable resource. There will be plenty of “no”s along the way, but all it takes is that one “yes”, right?

And once again, let’s tout the benefits of networking; making and maintaining your connections. You never know which one could lead to something.

While I’m still doing some of the things I’ve always done, there was also that feeling that new and different approaches were necessary. So as I work my way through all the assorted processes involved with writing scripts, I’m also navigating the awkward transitional phase of a few readjustments.

No matter what, the end goal remains the same. As always, fingers remain firmly crossed that this is the year it happens.

Looking back, glimpsing ahead, and a minor adjustment

new year's eve
Just one more glass of champagne, then it’s back to work. Promise.

As 2017 wraps up, it’s only natural to engage in a little self-evaluation.

How many of your writing goals were you able to check off this year? Most of them? Some? A small-but-decent fraction? Hopefully you don’t need to mark the box labeled “None”.

One of mine was to complete at least three scripts. I managed two drafts, a revised outline, and one and a half rewrite/polishes (one still a WIP). Pretty solid results. A very hearty thanks to everybody who devoted the time and effort to give me notes. I hope my notes for yours were just as helpful.

Using those notes and the results of a few conversations, I think I’ve been able to up the quality of my writing a few notches. It still has a few levels to go, but it definitely seems better than it was. The next round of drafts should be really interesting,  both in terms of working on them and how the end results turn out.

I wanted to read more scripts, which actually happened, but not entirely in the way I expected. I didn’t do as much reading of scripts for the purpose of entertainment or gleaning some helpful guidance because I ended up reading over 100 scripts for several contests. Don’t know if I’ll do it again, but still glad I did it.

On the gaining representation front, lots of query emails were sent. Maybe one response out of ten expressed interest in reading the script, with each ending with a “thanks but no thanks” or “just not what I’m looking for”. A bit disappointing, but not totally unexpected. Along the way, I also worked on being more strategic about the process, researching potential recipients and re-drafting the query to (in theory) really sell the concept of the script.

And what would an ambitious screenwriter’s year be without contests? My western made it to the seminfinals of a few smaller contests and the top 20 percent for the Nicholl (not too shabby), but once again whiffed it for PAGE. I’ve become somewhat disillusioned regarding contests, so will most likely really cut back on them. Maybe just stick to the big three.

There was the most pleasant experience of going to Los Angeles to attend a table read for one of my scripts. I like the idea of doing one or two of them locally, so looking into that for 2018.

I hosted two screenwriting networking events, which connected me with some very talented writers from right here in the Bay Area. Definitely plan on doing that again at least once this year. Highly recommended, especially if you’re not in Los Angeles and want to expand your own personal network.

On the half-marathon front, I ran five races this year – the most ever in one year for me. Still averaging about two hours, which isn’t bad – for me, but the quest for 1:55 continues. Already signed up for three next year, with maybe one or two more expected to be added into the mix. Like with screenwriting, improvement takes time, effort and dedication. A good pair of socks and strong knees also come in handy, and that applies to both.

Finally, this blog. As always, a great experience doing what I can to offer advice to help other writers, recounting my experiences and the lessons I got out of it, and presenting some interviews with some truly interesting and amazing creative folks. I am truly grateful to everybody who’s stopped by to take a look, like a post and make a comment.

But it’s also been exhausting. Producing posts twice a week on top of dedicating time to write and make a career out of it has simply gotten to be too much. I still enjoy doing the blog, but want to refocus my energies. So as of January 1st, I’ll be reducing my weekly output to Fridays only, and sometimes even that might be iffy. It’ll most likely be on a week-by-week basis.

I hope you had a most productive 2017 and wish you all the best for an even better 2018.

See you in seven.

Work those writing muscles!

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Feel the burn! C’mon! Just one more page!

Earlier this month, I hosted a networking event for screenwriters from the Bay Area and throughout northern California. It was fun and I got to make some new connections as well as reconnect with some already-established ones.

(Can’t recommend this sort of thing enough. Getting to know other writers in your area helps all involved.)

Part of the event involved introducing ourselves and offering up a little background info, including our individual screenwriting- or film-based experience (there were a few writer-directors) and a thumbnail description of our current works-in-progress.

When it was my turn, I mentioned the blog and how I was dividing my time between a few rewrites. At that point, one of the attendees raised his hand.

“A few rewrites? Like, all at the same time?”

I clarified that I’d work on one script for a few days, or at least until I thought I made some significant progress, take a day off, then dive into another one.

“But don’t you find it kind of difficult to stay focused?” He also added that he was relatively new to screenwriting, so the concept of working on a script and then suddenly shifting gears into one that’s totally different was a little mind-blowing.

I explained it this way:

I’ve been doing this a while, and all of these scripts are at least third, fourth, or higher drafts. I’ve gotten to know the stories and characters for each one pretty well, so I can jump right in, fully aware of what each rewrite requires. It might take a while (along with several more rewrites) to finally get there, but I’ve found that always working on something has really helped make the whole process easier.

It really is like exercising. It’s kind of tough and challenging when you’re starting out, and takes time to learn how to do it properly. Then you figure out a pace and/or system that works best for you (with everybody having their own methods and routine). You will indeed discover that the more you do it, the easier it gets.

I try to write every day, even if I only have 30 minutes to spare. You might think such a short amount of time isn’t worth the effort, but I’d disagree. Better to spend a little time writing than no time at all. Friend-of-the-blog Pilar Alessandra even wrote a book to help you do just that. (totally unsolicited plug. It came to mind while I was writing this.)

If you go into a writing session with an idea of what you want to accomplish, it’s a great use of your time. And if you sit down, not entirely sure what to do, you’re still giving yourself the opportunity to focus, which is always good.

That’s really what it all comes down to: Want to be a better writer? Find the time to write.

And reading helps a bit too.